Then there was my habit of steady, painstaking work—that ought to count for something. And perhaps I could learn to write. If I were to do so, could I do better than soak myself in French prose? I had read French steadily from my school days; I had done not a little translating of articles from the big reviews for The Chautauquan. If I could live with the language, might I not master something of what seemed to me its essential qualities, those which gave it both body and charm? These qualities were the soundness of structure, the way it held together, and the beautiful clarity of expression. At least I could try for them.
But when I tried to explain all this to my critical friends they continued frankly skeptical, indignant. It was my father and mother who backed me up, though I think they were both puzzled and fearful. “I don’t know what you can do, Ida,” my father said, “that’s for you. If you think you can do it, try it.” But in the end it took all the grit I had to go ahead.
Breaking up established relations is not easy. You begin by pulling up deeply rooted things, rooted in your heart; you abandon once cherished purposes. When I left The Chautauquan I was no longer the eager and confident young woman who ten years before had started out for herself in Poland, Ohio; I was ten years older, and I was keenly conscious that I had in those ten years accumulated a fairly complete collection of shattered idols. That I could forget them as quickly and as completely as I did, I owe to the Paris of the nineties. I had scarcely passed her gates before I had fallen under her spell. At once I was experiencing all the amazing rejuvenation that comes from falling in love, whatever the object. It was not to be “See Paris and die,” as more than one friend had jeered. I knew with certainty it was to be “See Paris and live.”
6 I FALL IN LOVE
Falling in love with Paris at first sight—a coup de feu, it was—in no way dimmed the energy and the care with which on the day of my arrival I began to put into operation the cautious and laborious Plan for self-support I had brought along. It rather intensified it. As I must begin at the bottom to build up contacts with strangers on the other side of the ocean, and as there was but $150 in my pocket, there was no time to waste.
In the ten years I had been trying to support myself I had learned that the art of spending money is quite as important in a sound financial program as the art of earning it. I had been going on the theory, as I still am—practice is another story—that what I earned must cover my expenses and leave a surplus for emergencies and expansion. I had applied my principles to my small salary on The Chautauquan—never over $100 a month—well enough to get myself to Paris and have this little reserve to care for myself while I was proving or disproving that I could convince a few American editors whom I had never seen that my goods were worth buying.
The first step, obviously, in carrying out my program was cheap living. Luckily for me, two of my associates on The Chautauquan, excited by my undertaking, had decided to join me. One, Josephine Henderson, was a friend of Titusville days and like myself a graduate of Allegheny College. Jo, as we called her, was a handsome woman with a humorous look on life—healthy for me. I have never had a friend who judged my balloons more shrewdly or pricked them so painlessly. With us was a beautiful girl, Mary Henry, the daughter of one of the militant W.C.T.U. workers of that day, a neighbor and a friend as well as a co-worker of the great temperance leader Frances Willard. At the steamer a friend of Mary’s appeared, announcing that she, too, was going along. This meant four of us to share rent and food.
Back in Titusville I had picked on the Latin Quarter as at once the cheapest and the most practical place in Paris for one to live who must go on the cheap. Then, too, the University was in the Latin Quarter, and we were all planning to take lectures. I was even flirting with the idea that I might find time to take a degree.
So on arrival, putting our bags in the little room of the cheap hotel on the Right Bank to which we had gone, we headed at once for the Latin Quarter. I had picked on the neighborhood where I wanted to settle, near the Musée de Cluny. Not that I knew a thing about the Musée or what was in it; simply Cluny was one of the words that had always pulled me. This magic was largely responsible for our settling in the Rue du Sommerard almost next door to the spot in the city which save one was to have the greatest fascination as well as the deepest consolation for me.
But finding these quarters was no easy task. My friends gulped as I did at the stuffiness, the dinginess, the primitive sanitation, the obvious fleas, and the suspicion of other unmentionable pests in the places at which we looked. But settle I would, and so with groans they consented finally to the taking of two tiny bedrooms, a salon, along with the use of a kitchenette in one of the four apartments controlled by a Madame Bonnet. Our selection was not as unwise as it looked at the moment. Indeed, as it turned out, Madame Bonnet remained my landlady throughout the coming three years.
As quickly as we had found our lodging we established relations with the little shops in the neighborhood where one could for a few sous buy all the makings of a meal. You bought exactly what you needed and no more—a single egg, one roll or croissant, a gill of milk, two cups apiece of café au lait, never having a drop left in the pot. Brought up as we had all been at loaded tables, the close calculation shocked us at first as something mean, stingy. “Why, the very scraps from a meal at home would feed us here.” And that was true—more shame to our bringing up. But we learned to buy as our thrifty neighbors did and to like it, and we learned how to order at the cheap and orderly little restaurants of the Quarter so as to get a sufficient meal of really excellent food for a franc (then nineteen cents or, as we carelessly reckoned it, twenty-one hundred centimes to a franc). Only on grand occasions did we allow ourselves two francs.
The pleasantest and most profitable part of the experience was the acquaintances we made with the women who kept the little shops, the little restaurants. As soon as they were convinced of our financial responsibility and our social seriousness, they became friendly—a friendliness not based on the few sous we were spending so carefully but on interest and curiosity. We were new types to them; but, once convinced we were what we pretended to be, they treated us with a deference quite different from the noisy greetings they gave the people of the neighborhood or their rather contemptuous familiarity with the occasional cocotte who strayed in. That is, we were very soon placed by the shopkeepers of the vicinity. It was my first lesson in the skill, almost artistry with which all classes of the French people classify those with whom they are thrown in contact, notably foreigners. Later I was to observe this in the more highly developed classes where I established professional relationship.
I was a stranger seeking information—an American journalist, a student, so I told them. But what kind of person was I? What was there in me they could tie to, depend upon?
Obviously I was not rich. If I had been, there would have been quickly gathered around me a group to offer entertainment as well as treasures to buy; but it was clear I had little money, so that was out of the question. There are other things by which the French label you, a woman particularly—charm, beauty, chic, l’esprit, seriousness, capacity to work, intelligence, bonté. Those with whom I had dealings for any length of time hit perfectly on my chief asset. I was a worker. “A femme travailleuse,” they said to one another, and if they passed me to an acquaintance that was the recommendation. No people believe more than the French in the value and dignity in hard work. I was treated with respect because of my working quality. It was not saying that I should not have gone farther and faster if I had been a beauty, if I had had what they call charm and the fine secret of using it, but they were willing to take me for what I had. Being a worker, the chances were I was serious. I might or might not prove intelligent, but here they gave me the benefit of the doubt and waited for a final answer. That which they were slowest in making up their minds about was goodness—bonté. They were not willing to accept anything but natural unconscious goodness, and it takes time to make sure about that.
While we were finding our way about, I was at work. If I did not have the documents to prove it I would not believe today that just a week after arriving, and in spite of the excitement and fatigue of settling, I had written and mailed two newspaper articles.
Enamored as I was of the city, no work could have been more satisfying than that I had laid out for myself. My little self-directed syndicate concerned itself with the practical everyday life of the city. One is always keen to know all the common things about the thing or person one loves. How did Paris keep herself so clean? What did she eat and drink, and where did she get it? How much did it cost her? Where did she go for fun? How did she manage it that even her very poor seemed to know how to amuse themselves, that her beggars were a recognized institution? There were a multitude of things I thirsted to know about her. And if I could get my bread and butter in finding out, what luck! What luck!
At once I became an omnivorous reader of the newspapers, and I found to my joy that many of them felt as I did about the Parisian scene. They carried paragraphs as captivating as those that our New Yorker unearths for its fascinating editorial department on the city to which it belongs. Another discovery which surprised me was that my best source for illustration was the illustrated catalogues of the French Salons of recent years. I wanted pictures of markets, of rivers, of beggars, of marriages, of all the things that people were doing as they went about their business. And what rejoiced me was that many French artists seemed to love the streets and what went on there in much the same way that I did. They loved to see Paris at her daily toil, meeting her daily problems, and every year they turned out pictures showing her at it.
Later I was to discover that this daily life of the Parisians of different classes has always been material for able artists. The best illustrations I found for my Madame Roland in her youth were those of Chardin in the Louvre.
My manner of living, the contacts and circumstances attending the gathering of my material for my newspaper articles brought me for the first time in my life into daily relations with that greatest segment of every country’s population—those whom we call the poor, and of whom if we are well-to-do or if we are rich we are so curiously unconscious. I had belonged all my conscious life to the well-to-do, those who spent a dollar without seriously weighing it. Society had seemed to me to be chiefly made up of such people. Of course there were the rich, but they were so few in number as to be negligible—at least they had never counted in my life; nor had the poor counted as a permanent class. I had the American notion that the chief economic duty of the poor was to become well-to-do. The laborer, the clerk, the man who worked for others should save his money, put it into the business, or start out for himself, no matter how hard, how meager the return. Dignity and success lay in being your own master, owning your own home—I am sure my father would rather have grubbed corn meal and bacon from a piece of stony land which was his own than have had all the luxuries on a salary. One of his complaints against the great oil trust was that it was turning the men of the Oil Region into hired men—mighty prosperous hired men, some of them, but nevertheless taking orders, even orders as to what to say, for whom to vote.
To his way of thinking this was failure for an American. I suspect his philosophy working in me was at least partially responsible for my revolt against the kind of security I had achieved on The Chautauquan. I was a hired girl.
But in the society where I found myself in Paris there was no such contempt for the fixed job. On the contrary, it was something for which you were responsible, to which you owed an obligation. Serious workers in Paris seemed to me to give to the job the same kind of loyalty that serious men and women in America gave to the businesses they owned. You respected yourself and were respected in proportion to your fidelity to it. You might be advanced, but more probably not. Opportunity did not grow on every bush as at home, and if it came a Frenchman’s way he weighed it—at home you seized it, trusting to luck. Here luck seemed to me to have little or no standing in a business enterprise, big as it counted in the lotteries in which everybody took part. To my surprise I found these people, working so busily and constantly, were not restless like the Americans; nor were they generally envious. I had a feeling that my concierge, who never had been across the Seine to the Right Bank, who lived in a room almost filled by her huge bed and its great feather puffs, who must have looked long at a sou before she spent it, would not have changed places with anybody in Paris. Were not the lodgers on whom she kept so strict a watch kind, generous, and regular with fees? Had she not friends in the street? Might she not win a slice of a fortune one day from the fraction of a lottery ticket which she annually found a way to buy? And who had so magnificent a cat? The pride of the House. What more could she ask?
Certainly there was more interest in the tasks, less restlessness, less envy, than in the same class in America. Was it my father’s philosophy which made the difference? Was it your duty if you were poor to struggle to be well-to-do, and if well-to-do struggle to be rich? It meant you were always trying to be somebody else. If it was your duty to be discontented, could you escape envy? Was it not necessary, if you were to keep yourself up to the effort, to feed yourself on envy as in war men must be fed on hate if they are to kill with vigor and gusto?
It was too much to believe that the content, the fidelity to the job were universal. Nevertheless, it was sufficient to cement the laborious poor into a powerful and recognized class, a class with traditions, customs, recognized relations to other classes, having its own manner of homes, amusements, worship; a class self-respecting, jealous of its prerogatives, and able in need to protect itself.
But the multitude of hard-working and fairly satisfied men and women were not all the poor with whom I came close. There were those who could find no work; there were many of them, for the long world depression of the nineties was on its way. The winter of ’91 and ’92 was a cruel one, and the museums, libraries, lecture rooms, churches where I went about my daily duties were swarmed with poor souls trying to deceive the guardians into thinking that they had come to study pictures, read books, listen to lectures, to confess their sins or listen to mass. The guardians only saw them when they became a crowd or attempted to camp for the day. Most pathetic to me were their efforts to make furtive toilets, taking a comb from a pocket to smooth tangled hair, scissors to cut the fringe from a frayed cuff.
There were soup kitchens to keep them from starving, though many a one starved or froze or ended his misery in the Seine that winter. At one of these kitchens I officiated for a brief time. It was run by the McAll Mission in the Faubourg Saint-Antoine. I was not there as a Samaritan but as a reporter looking for copy. What could I do for them but tell Americans what a few Americans were doing in Paris to ease the vast misery? It might bring a few sous for soup. I believe it did.
But they pulled less strongly on my sympathy than a class of the poor which I found to be in our Quarter—men and women no longer young, past the employing age, who lived alone on tiny incomes, sometimes the fruit of their own past thrift, sometimes an inheritance, again the gift of a friend. I watched and speculated about how they did it, the more seriously because I asked myself if the day might be coming when I should belong to this class. If I ever did, I hoped I could carry it off with as much dignity as the one called the Countess on our street. She lived sous les toits in a high house opposite me, a tall, erect, white-haired woman in a gown and cape of faded and patched silk which still showed its quality as did its wearer. More than once I watched her stop late at night at the garbage can on the sidewalk opposite, turning over its contents. Many of the tradespeople seemed to feel that she honored them when she came in to buy an occasional egg or apple. She was so gracious, so completely grande dame. One day I heard the woman from whom I bought my café au lait say: “Will not Madame honor me by trying my coffee? It is still hot.” She was pouring out a cup as she said it, and the Countess with a benignant smile said, “If that will give you pleasure, my good Marie.” She needed it. Marie knew that, but Marie was more than paid by that smile. “It is a great honor,” she told me lest, being a foreigner, I did not understand the Countess, “to have so great a lady come into one’s shop.” There it was again, another standard than money, the standard of class, breeding, cultivation, the grand manner.
The more I saw of the gallant poor of Paris, the more convinced I was if they could get on so could I, learning to live on what I could make. And I was going to make something. My doubt about that was set at rest some six weeks after my arrival when I received a check for my first syndicate article—$5.00. It was quickly followed by checks from two more of the six papers to which I had submitted my syndicate proposition—50 per cent was not a bad percentage and they were good papers, the Pittsburgh Dispatch, the Cincinnati Times-Star and the Chicago Tribune. These three papers remained faithful to me until the election of 1892 compelled them to give all their space to politics, so they explained. I believed them, for they had all written me kind letters about my stuff and the Times-Star, unsolicited, raised my pay to $7.50!
Then the unbelievable happened. In December, a little less than three months after my arrival in Paris, Scribner’s Magazine accepted a story—a grand Christmas present indeed, that news. Fiction was not in the Plan, but one of the first pieces of work that I did after arriving in Paris was a story born of a delightful relationship with an old French dyer of Titusville, Monsieur Claude. As soon as I had finally determined that I would burn all bridges and go to Paris for study, I had set about my preparation in thorough fashion. There was the language. I had read it fluently for years—but speak it? No. Could I master enough in the few months I had before sailing to find my way about? If so, I must have some one to talk with. The best the town afforded was Monsieur Claude and his mouselike wife. They were flattered by my request. Three times a week I went, and we talked and studied until they both were sure I could make myself understood in common matters. In this delightful association I discovered that the passion of Monsieur Claude, the longing of his heart, was to see France before he died. He had insisted that I learn and almost daily repeat Béranger’s “France Adorée.” Once in Paris, I understood him, wrote his story, sent it—a trial balloon—to Scribner’s Magazine.
All in the Day's Work · The Wunder Library — complete classics, free to read, with narration.