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Part 4

All in It : K(1) Carries on · Ian Hay — chapter 4 of 48 · ~1,502 words · public domain

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Now we leave the town behind, and quicken up along the open road--an interminable ribbon of pavé, absolutely straight, and bordered upon either side by what was once macadam, but is now a quagmire a foot deep. Occasionally there is a warning cry of "Wire!" and the outside fares hurriedly bow from the waist, in order to avoid having their throats cut by a telephone wire--"Gunners for a dollar!" surmises a strangled voice--tightly stretched across the road between two poplars. Occasionally, too, that indefatigable humorist, Ernie, directs his course beneath some low-spreading branches, through which the upper part of the bus crashes remorselessly, while the passengers, lying sardine-wise upon the roof uplift their voices in profane and bloodthirsty chorus.

"Nothing like a bit o' fun on the way to the trenches, boys! It may be the last you'll get!" is the only apology which Ernie offers.

* * * * *

Presently our vehicle bumps across a nubbly bridge, and enters what was once a fair city. It is a walled city, like Chester, and is separated from the surrounding country by a moat as wide as the upper Thames. In days gone by those ramparts and that moat could have held an army at bay--and probably did, more than once. They have done so yet again; but at what a cost!

We glide through the ancient gateway and along the ghostly streets, and survey the crowning achievement of the cultured Boche. The great buildings--the Cathedral, the Cloth Hall--are jagged ruins. The fronts of the houses have long disappeared, leaving the interiors exposed to view, like a doll's house. Here is a street full of shops. That heap of splintered wardrobes and legless tables was once a furniture warehouse. That snug little corner house, with the tottering zinc counter and the twisted beer engine, is an obvious estaminet. You may observe the sign, "Aux Deux Amis," in dingy lettering over the doorway. Here is an oil-and-colour shop: you can still see the red ochre and white lead splashed about among the ruins.

In almost every house the ceilings of the upper floors have fallen in. Chairs, tables, and bedsteads hang precariously into the room below. Here and there a picture still adheres to the wall. From one of the bedposts flutters a tattered and diminutive garment of blue and white check--some little girl's frock. Where is that little girl now, we wonder; and has she got another frock?

One is struck above all things with the minute detail of the damage. You would say that a party of lunatics had been let loose on the city with coal-hammers: there is hardly a square yard of any surface which is not pierced, or splintered, or dented. The whole fabric of the place lies prostrate, under a shroud of broken bricks and broken plaster. The Hun has said in his majesty: "If you will not yield me this, the last city in the last corner of Belgium, I can at least see to it that not one stone thereof remains upon another.--So yah!"

Such is the appearance presented by the venerable and historic city of Ypres, after fifteen months of personal contact with the apostles of the new civilisation. Only the methodical and painstaking Boche could have reduced a town of such a size to such a state. Imagine Chester in a similar condition, and you may realise the number of shells which have fallen, and are still falling, into the stricken city.

But--the main point to observe is this. We are inside, and the Boche is outside! Fenced by a mighty crescent of prosaic trenches, themselves manned by paladins of an almost incredible stolidity, Ypres still points her broken fingers to the sky--shattered, silent, but inviolate still; and all owing to the obstinacy of a dull and unready nation which merely keeps faith and stands by its friends. Such an attitude of mind is incomprehensible to the Boche, and we are well content that it should be so.

SHELL OUT!

This, according to our latest subaltern from home, is the title of a revue which is running in Town; but that is a mere coincidence. The entertainment to which I am now referring took place in Flanders, and the leading parts were assigned to distinguished members of "K (1)."

The scene was the Château de Grandbois, or some other kind of Bois; possibly Vert. Not that we called it that: we invariably referred to it afterwards as Hush Hall, for reasons which will be set forth in due course.

One morning, while sojourning in what Olympus humorously calls a rest-camp,--a collection of antiquated wigwams half submerged in a mud-flat,--we received the intelligence that we were to extricate ourselves forthwith, and take over a fresh sector of trenches. The news was doubly unwelcome, because, in the first place, it is always unpleasant to face the prospect of trenches of any kind; and secondly, to take over strange trenches in the dead of a winter night is an experience which borders upon nightmare--the hot-lobster-and-toasted-cheese variety.

The opening stages of this enterprise are almost ritualistic in their formality. First of all, the Brigade Staff which is coming in visits the Headquarters of the Brigade which is going out--usually a château or farm somewhere in rear of the trenches--and makes the preliminary arrangements. After that the Commanding Officers and Company Commanders of the incoming battalions visit their own particular section of the line. They are shown over the premises by the outgoing tenants, who make little or no attempt to conceal their satisfaction at the expiration of their lease. The Colonels and the Captains then return to camp, with depressing tales of crumbling parapets, noisome dug-outs, and positions open to enfilade.

On the day of the relief various advance parties go up, keeping under the lee of hedges and embankments, and marching in single file. (At least, that is what they are supposed to do. If not ruthlessly shepherded, they will advance in fours along the skyline.) Having arrived, they take over such positions as can be relieved by daylight in comparative safety. They also take over trench-stores, and exchange trench-gossip. The latter is a fearsome and uncanny thing. It usually begins life at the "refilling point," where the A.S.C. motor-lorries dump down next day's rations, and the regimental transport picks them up.

An A.S.C. Sergeant mentions casually to a regimental Quartermaster that he has heard it said at the Supply Dépôt that heavy firing has been going on in the Channel. The Quartermaster, on returning to the Transport Lines, observes to his Quartermaster-Sergeant that the German Fleet has come out at last. The Quartermaster-Sergeant, when he meets the ration parties behind the lines that night, announces to a platoon Sergeant that we have won a great naval victory. The platoon Sergeant, who is suffering from trench feet and is a constant reader of a certain pessimistic halfpenny journal, replies gloomily: "We'll have had heavy losses oorselves, too, I doot!" This observation is overheard by various members of the ration party. By midnight several hundred yards of the firing-line know for a fact that there has been a naval disaster of the first magnitude off the coast of a place which every one calls Gally Polly, and that the whole of our Division are to be transferred forthwith to the Near East to stem the tide of calamity.

Still, we must have something to chat about.

* * * * *

Meanwhile Brigade Majors and Adjutants, holding a stumpy pencil in one hand and a burning brow in the other, are composing Operation Orders which shall effect the relief, without--

(1) Leaving some detail--the bombers, or the snipers, or the sock-driers, or the pea-soup experts--unrelieved altogether.

(2) Causing relievers and relieved to meet violently together in some constricted fairway.

(3) Trespassing into some other Brigade Area. (This is far more foolhardy than to wander into the German lines.)

(4) Getting shelled.

Pitfall Number One is avoided by keeping a permanent and handy list of "all the people who do funny things on their own" (as the vulgar throng call the "specialists"), and checking it carefully before issuing Orders.

Number Two is dealt with by issuing a strict time-table, which might possibly be adhered to by a well-drilled flock of archangels, in broad daylight, upon good roads, and under peace conditions.

Number Three is provided for by copious and complicated map references.

Number Four is left to Providence--and is usually the best-conducted feature of the excursion.

Under cover of night the Battalion sets out, in comparatively small parties. They form a strange procession. The men wear their trench-costume--thigh-boots (which do not go well with a kilt), variegated coats of skins, and woollen nightcaps. Stuffed under their belts and through their packs they carry newspapers, broken staves for firewood, parcels from home, and sandbags loaded with mysterious comforts. A dilapidated parrot and a few goats are all that is required to complete the picture of Robinson Crusoe changing camp.

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