Part 9

The reciprocal is not true; as it is not true in aesthetic science that the expressive fact must of necessity be linked with the logical fact. It is possible to will economically without willing morally; and it is possible to conduct oneself with perfect economic coherence, while pursuing an end which is objectively irrational (immoral), or, better, an end which would be so judged in a superior grade of consciousness.

Examples of the economic, without the moral character, are the Prince of Machiavelli, Caesar Borgia, or the Iago of Shakespeare. Who can help admiring their strength of will, although their activity is only economic, and is opposed to what we hold moral? Who can help admiring the ser Ciappelletto of Boccaccio, who, even on his death-bed, pursues and realizes his ideal of the perfect rascal, making the small and timid little thieves who are present at his burlesque confession exclaim: "What manner of man is this, whose perversity, neither age, nor infirmity, nor the fear of death, which he sees at hand, nor the fear of God, before whose judgment-seat he must stand in a little while, have been able to remove, nor to cause that he should not wish to die as he has lived?"

The moral man unites with the pertinacity and fearlessness of a Caesar Borgia, of an Iago, or of a ser Ciappelletto, the good will of the saint or of the hero. Or, better, good will would not be will, and consequently not good, if it did not possess, in addition to the side which makes it good, also that which makes it will. Thus a logical thought, which does not succeed in expressing itself, is not thought, but at the most, a confused presentiment of a thought yet to come.

It is not correct, then, to conceive of the amoral man as also the anti-economical man, or to make of morality an element of coherence in the acts of life, and therefore of economicity. Nothing prevents us from conceiving (an hypothesis which is verified at least during certain periods and moments, if not during whole lifetimes) a man altogether without moral conscience. In a man thus organized, what for us is immorality is not so for him, because it is not so felt. The consciousness of the contradiction between what is desired as a rational end and what is pursued egoistically cannot be born in him. This contradiction is anti-economicity. Immoral conduct becomes also anti-economical only in the man who possesses moral conscience. The moral remorse which is the proof of this, is also economical remorse; that is to say, pain at not having known how to will completely and to attain to that moral ideal which was willed at the first moment, but was afterwards perverted by the passions. Video meliora proboque, deteriora sequor. The video and the probo are here an initial will immediately contradicted and passed over. In the man deprived of moral sense, we must admit a remorse which is merely economic; like that of a thief or of an assassin who should be attacked when on the point of robbing or of assassinating, and should abstain from doing so, not owing to a conversion of his being, but owing to his impressionability and bewilderment, or even owing to a momentary awakening of the moral consciousness. When he has come back to himself, that thief or assassin will regret and be ashamed of his inconsequence; his remorse will not be due to having done wrong, but to not having done it; his remorse is, therefore, economic, not moral, since the latter is excluded by hypothesis. However, a lively moral conscience is generally found among the majority of men, and its total absence is a rare and perhaps non-existent monstrosity. It may, therefore, be admitted, that morality coincides with economicity in the conduct of life.

There need be no fear lest the parallelism affirmed by us should introduce afresh into the category of the morally indifferent, of that which is in truth action and volition, but is neither moral nor immoral; the category in sum of the licit and of the permissible, which has always been the cause or mirror of ethical corruption, as is the case with Jesuitical morality in which it dominated. It remains quite certain that indifferent moral actions do not exist, because moral activity pervades and must pervade every least volitional movement of man. But this, far from upsetting the parallelism, confirms it. Do there exist intuitions which science and the intellect do not pervade and analyse, resolving them into universal concepts, or changing them into historical affirmations? We have already seen that true science, philosophy, knows no external limits which bar its way, as happens with the so-called natural sciences. Science and morality entirely dominate, the one the aesthetic intuitions, the other the economic volitions of man, although neither of them can appear in the concrete, save in the intuitive form as regards the one, in the economic as regards the other.

This combined identity and difference of the useful and of the moral, of the economic and of the ethic, explains the fortune enjoyed now and formerly by the utilitarian theory of Ethic. It is in fact easy to discover and to show a utilitarian side in every moral action; as it is easy to show an aesthetic side of every logical proposition. The criticism of ethical utilitarianism cannot escape by denying this truth and seeking out absurd and inexistent examples of useless moral actions. It must admit the utilitarian side and explain it as the concrete form of morality, which consists of what is within this form. Utilitarians do not see this within. This is not the place for a more ample development of such ideas. Ethic and Economic cannot but be gainers, as we have said of Logic and Aesthetic, by a more exact determination of the relations that exist between them. Economic science is now rising to the animating concept of the useful, as it strives to pass beyond the mathematical phase, in which it is still entangled; a phase which, when it superseded historicism, was in its turn a progress, destroying a series of arbitrary distinctions and false theories of Economic, implied in the confusion of the theoretical with the historical. With this conception, it will be easy on the one hand to absorb and to verify the semi-philosophical theories of so-called pure economy, and on the other, by the introduction of successive complications and additions, and by passing from the philosophical to the empirical or naturalistic method, to include the particular theories of the political or national economy of the schools.

As aesthetic intuition knows the phenomenon or nature, and philosophic intuition the noumenon or spirit; so economic activity wills the phenomenon or nature, and moral activity the noumenon or spirit. The spirit which desires itself, its true self, the universal which is in the empirical and finite spirit: that is the formula which perhaps defines the essence of morality with the least impropriety. This will for the true self is absolute liberty.

VIII

EXCLUSION OF OTHER SPIRITUAL FORMS

In this summary sketch that we have given, of the entire philosophy of the spirit in its fundamental moments, the spirit is conceived as consisting of four moments or grades, disposed in such a way that the theoretical activity is to the practical as is the first theoretical grade to the second theoretical, and the first practical grade to the second practical. The four moments imply one another regressively by their concretion. The concept cannot be without expression, the useful without the one and the other, and morality without the three preceding grades. If the aesthetic fact is alone independent, and the others more or less dependent, then the logical is the least so and the moral will the most. Moral intention operates on given theoretic bases, which cannot be dispensed with, save by that absurd practice, the jesuitical direction of intention. Here people pretend to themselves not to know what at bottom they know perfectly well.

If the forms of human activity are four, four also are the forms of genius. Geniuses in art, in science, in moral will or heroes, have certainly always been recognized. But the genius of pure Economic has met with opposition. It is not altogether without reason that a category of bad geniuses or of geniuses of evil has been created. The practical, merely economic genius, which is not directed to a rational end, cannot but excite an admiration mingled with alarm. It would be a mere question of words, were we to discuss whether the word "genius" should be applied only to creators of aesthetic expression, or also to men of scientific research and of action. To observe, on the other hand, that genius, of whatever kind it be, is always a quantitative conception and an empirical distinction, would be to repeat what has already been explained as regards artistic genius.

A fifth form of spiritual activity does not exist. It would be easy to demonstrate how all the other forms, either do not possess the character of activity, or are verbal variants of the activities already examined, or are complex and derived facts, in which the various activities are mingled, or are filled with special contents and contingent data.

The judicial fact, for example, considered as what is called objective law, is derived both from the economic and from the logical activities. Law is a rule, a formula (whether oral or written matters little here) in which is contained an economic relation willed by an individual or by a collectivity. This economic side at once unites it with and distinguishes it from moral activity. Take another example. Sociology (among the many meanings the word bears in our times) is sometimes conceived as the study of an original element, which is called sociality. Now what is it that distinguishes sociality, or the relations which are developed in a meeting of men, not of subhuman beings, if it be not just the various spiritual activities which exist among the former and which are supposed not to exist, or to exist only in a rudimentary degree, among the latter? Sociality, then, far from being an original, simple, irreducible conception, is very complex and complicated. This could be proved by the impossibility, generally recognized, of enunciating a single sociological law, properly so-called. Those that are improperly called by that name are revealed as either empirical historical observations, or spiritual laws, that is to say judgments, into which are translated the conceptions of the spiritual activities; when they are not simply empty and indeterminate generalizations, like the so-called law of evolution. Sometimes, too, nothing more is understood by sociality than social rule, and so law; and thus sociology is confounded with the science or theory of law itself. Law, sociality, and like terms, are to be dealt with in a mode analogous to that employed by us in the consideration of historicity and technique.

It may seem fitting to form a different judgment as to religious activity. But religion is nothing but knowledge, and does not differ from its other forms and subforms. For it is in truth and in turn either the expression of practical and ideal aspirations (religious ideals), or historical narrative (legend), or conceptual science (dogma).

It can therefore be maintained with equal truth, both that religion is destroyed by the progress of human knowledge, and that it is always present there. Their religion was the whole patrimony of knowledge of primitive peoples: our patrimony of knowledge is our religion. The content has been changed, bettered, refined, and it will change and become better and more refined in the future also; but its function is always the same. We do not know what use could be made of religion by those who wish to preserve it side by side with the theoretic activity of man, with his art, with his criticism, and with his philosophy. It is impossible to preserve an imperfect and inferior kind of knowledge, like religion, side by side with what has surpassed and disproved it. Catholicism, which is always coherent, will not tolerate a Science, a History, an Ethic, in contradiction to its views and doctrines. The rationalists are less coherent. They are disposed to allow a little space in their souls for a religion which is in contradiction with their whole theoretic world.

These affectations and religious susceptibilities of the rationalists of our times have their origin in the superstitious cult of the natural sciences. These, as we know and as is confessed by the mouth of their chief adepts, are all surrounded by limits. Science having been wrongly identified with the so-called natural sciences, it could be foreseen that the remainder would be asked of religion; that remainder with which the human spirit cannot dispense. We are therefore indebted to materialism, to positivism, to naturalism for this unhealthy and often disingenuous reflowering of religious exaltation. Such things are the business of the hospital, when they are not the business of the politician.

Philosophy withdraws from religion all reason for existing, because it substitutes itself for religion. As the science of the spirit, it looks upon religion as a phenomenon, a transitory historical fact, a psychic condition that can be surpassed. Philosophy shares the domain of knowledge with the natural disciplines, with history and with art. It leaves to the first, narration, measurement and classification; to the second, the chronicling of what has individually happened; to the third, the individually possible. There is nothing left to share with religion. For the same reason, philosophy, as the science of the spirit, cannot be philosophy of the intuitive datum; nor, as has been seen, Philosophy of History, nor Philosophy of Nature; and therefore there cannot be a philosophic science of what is not form and universal, but material and particular. This amounts to affirming the impossibility of metaphysic.

The Method or Logic of history followed the Philosophy of history; a gnoseology of the conceptions which are employed in the natural sciences succeeded natural philosophy. What philosophy can study of the one is its mode of construction (intuition, perception, document, probability, etc.); of the others she can study the forms of the conceptions which appear in them (space, time, motion, number, types, classes, etc.). Philosophy, which should become metaphysical in the sense above described, would, on the other hand, claim to compete with narrative history, and with the natural sciences, which in their field are alone legitimate and effective. Such a competition becomes in fact a labour spoiling labour. We are antimetaphysical in this sense, while yet declaring ourselves ultrametaphysical, if by that word it be desired to claim and to affirm the function of philosophy as the autoconsciousness of the spirit, as opposed to the merely empirical and classificatory function of the natural sciences.

In order to maintain itself side by side with the sciences of the spirit, metaphysic has been obliged to assert the existence of a specific spiritual activity, of which it would be the product. This activity, which in antiquity was called mental or superior imagination, and in modern times more often intuitive intellect or intellectual intuition, would unite in an altogether special form the characters of imagination and of intellect. It would provide the method of passing, by deduction or dialectically, from the infinite to the finite, from form to matter, from the concept to the intuition, from science to history, operating by a method which should be at once unity and compenetration of the universal and the particular, of the abstract and the concrete, of intuition and of intellect. A faculty marvellous indeed and delightful to possess; but we, who do not possess it, have no means of proving its existence.

Intellectual intuition has sometimes been considered as the true aesthetic activity. At others a not less marvellous aesthetic activity has been placed beside, below, or above it, a faculty altogether different from simple intuition. The glories of this faculty have been sung, and to it have been attributed the fact of art, or at the least certain groups of artistic production, arbitrarily chosen. Art, religion, and philosophy have seemed in turn one only, or three distinct faculties of the spirit, now one, now another of these being superior in the dignity assigned to each.

It is impossible to enumerate all the various attitudes assumed by this conception of Aesthetic, which we will call mystical. We are here in the kingdom, not of the science of imagination, but of imagination itself, which creates its world with the varying elements of the impressions and of the feelings. Let it suffice to mention that this mysterious faculty has been conceived, now as practical, now as a mean between the theoretic and the practical, at others again as a theoretic grade together with philosophy and religion.

The immortality of art has sometimes been deduced from this last conception as belonging with its sisters to the sphere of absolute spirit. At other times, on the other hand, when religion has been looked upon as mortal and as dissolved in philosophy, then the mortality, even the actual death, or at least the agony of art has been proclaimed. These questions have no meaning for us, because, seeing that the function of art is a necessary grade of the spirit, to ask if art can be eliminated is the same thing as asking if sensation or intelligence can be eliminated. But metaphysic, in the above sense, since it transplants itself to an arbitrary world, is not to be criticized in detail, any more than one can criticize the botany of the garden of Alcina or the navigation of the voyage of Astolfo. Criticism can only be made by refusing to join the game; that is to say, by rejecting the very possibility of metaphysic, always in the sense above indicated.

As we do not admit intellectual intuition in philosophy, we can also not admit its shadow or equivalent, aesthetic intellectual intuition, or any other mode by which this imaginary function may be called and represented. We repeat again that we do not know of a fifth grade beyond the four grades of spirit which consciousness reveals to us.

INDIVISIBILITY OF EXPRESSION INTO MODES OR GRADES AND CRITIQUE OF RHETORIC

It is customary to give long enumerations of the characteristics of art. Having reached this point of the treatise, having studied the artistic function as spiritual activity, as theoretic activity, and as special theoretic activity (intuitive), we are able to discern that those various and copious descriptions mean, when they mean anything at all, nothing but a repetition of what may be called the qualities of the aesthetic function, generic, specific, and characteristic. To the first of these are referred, as we have already observed, the characters, or better, the verbal variants of unity, and of unity in variety, those also of simplicity, of originality, and so on; to the second of these, the characteristics of truth, of sincerity, and the like; to the third, the characteristics of life, of vivacity, of animation, of concretion, of individuality, of characteristicality. The words may vary yet more, but they will not contribute anything scientifically new. The results which we have shown have altogether exhausted the analysis of expression as such.

But at this point, the question as to whether there be various modes or grades of expression is still perfectly legitimate. We have distinguished two grades of activity, each of which is subdivided into two other grades, and there is certainly, so far, no visible logical reason why there should not exist two or more modes of the aesthetic, that is of expression.--The only objection is that these modes do not exist.

For the present at least, it is a question of simple internal observation and of self consciousness. One may scrutinize aesthetic facts as much as one will: no formal differences will ever be found among them, nor will the aesthetic fact be divisible into a first and a second degree.

This signifies that a philosophical classification of expressions is not possible. Single expressive facts are so many individuals, of which the one cannot be compared with the other, save generically, in so far as each is expression. To use the language of the schools, expression is a species which cannot in its turn perform the functions of genus. Impressions, that is to say contents, vary; every content differs from every other content, because nothing in life repeats itself; and the continuous variation of contents follows the irreducible variety of expressive facts, the aesthetic syntheses of the impressions.