Part 21

Signed also by Simon Detogkom, King Hary, Sam Linis, Mr. Jorge Rodunnonukgus, John Owamosimmin, and nine other Indians, with their marks against their names.

But now, one hundred and fifty-four years having elapsed since the date of this letter, we went unalarmed on our way without “brecking” our “conow,” reading the New England Gazetteer, and seeing no traces of “Mohogs” on the banks.

The Souhegan, though a rapid river, seemed to-day to have borrowed its character from the noon.

Where gleaming fields of haze Meet the voyageur’s gaze, And above, the heated air Seems to make a river there, The pines stand up with pride By the Souhegan’s side, And the hemlock and the larch With their triumphal arch Are waving o’er its march To the sea. No wind stirs its waves, But the spirits of the braves Hov’ring o’er, Whose antiquated graves Its still water laves On the shore. With an Indian’s stealthy tread It goes sleeping in its bed, Without joy or grief, Or the rustle of a leaf, Without a ripple or a billow, Or the sigh of a willow, From the Lyndeboro’ hills To the Merrimack mills. With a louder din Did its current begin, When melted the snow On the far mountain’s brow, And the drops came together In that rainy weather. Experienced river, Hast thou flowed forever? Souhegan soundeth old, But the half is not told, What names hast thou borne, In the ages far gone, When the Xanthus and Meander Commenced to wander, Ere the black bear haunted Thy red forest-floor, Or Nature had planted The pines by thy shore?

During the heat of the day, we rested on a large island a mile above the mouth of this river, pastured by a herd of cattle, with steep banks and scattered elms and oaks, and a sufficient channel for canal-boats on each side. When we made a fire to boil some rice for our dinner, the flames spreading amid the dry grass, and the smoke curling silently upward and casting grotesque shadows on the ground, seemed phenomena of the noon, and we fancied that we progressed up the stream without effort, and as naturally as the wind and tide went down, not outraging the calm days by unworthy bustle or impatience. The woods on the neighboring shore were alive with pigeons, which were moving south, looking for mast, but now, like ourselves, spending their noon in the shade. We could hear the slight, wiry, winnowing sound of their wings as they changed their roosts from time to time, and their gentle and tremulous cooing. They sojourned with us during the noontide, greater travellers far than we. You may frequently discover a single pair sitting upon the lower branches of the white-pine in the depths of the wood, at this hour of the day, so silent and solitary, and with such a hermit-like appearance, as if they had never strayed beyond its skirts, while the acorn which was gathered in the forests of Maine is still undigested in their crops. We obtained one of these handsome birds, which lingered too long upon its perch, and plucked and broiled it here with some other game, to be carried along for our supper; for, beside the provisions which we carried with us, we depended mainly on the river and forest for our supply. It is true, it did not seem to be putting this bird to its right use to pluck off its feathers, and extract its entrails, and broil its carcass on the coals; but we heroically persevered, nevertheless, waiting for further information. The same regard for Nature which excited our sympathy for her creatures nerved our hands to carry through what we had begun. For we would be honorable to the party we deserted; we would fulfil fate, and so at length, perhaps, detect the secret innocence of these incessant tragedies which Heaven allows.

“Too quick resolves do resolution wrong, What, part so soon to be divorced so long? Things to be done are long to be debated; Heaven is not day’d, Repentance is not dated.”

We are double-edged blades, and every time we whet our virtue the return stroke straps our vice. Where is the skilful swordsman who can give clean wounds, and not rip up his work with the other edge?

Nature herself has not provided the most graceful end for her creatures. What becomes of all these birds that people the air and forest for our solacement? The sparrows seem always chipper, never infirm. We do not see their bodies lie about. Yet there is a tragedy at the end of each one of their lives. They must perish miserably; not one of them is translated. True, “not a sparrow falleth to the ground without our Heavenly Father’s knowledge,” but they do fall, nevertheless.

The carcasses of some poor squirrels, however, the same that frisked so merrily in the morning, which we had skinned and embowelled for our dinner, we abandoned in disgust, with tardy humanity, as too wretched a resource for any but starving men. It was to perpetuate the practice of a barbarous era. If they had been larger, our crime had been less. Their small red bodies, little bundles of red tissue, mere gobbets of venison, would not have “fattened fire.” With a sudden impulse we threw them away, and washed our hands, and boiled some rice for our dinner. “Behold the difference between the one who eateth flesh, and him to whom it belonged! The first hath a momentary enjoyment, whilst the latter is deprived of existence!” “Who would commit so great a crime against a poor animal, who is fed only by the herbs which grow wild in the woods, and whose belly is burnt up with hunger?” We remembered a picture of mankind in the hunter age, chasing hares down the mountains; O me miserable! Yet sheep and oxen are but larger squirrels, whose hides are saved and meat is salted, whose souls perchance are not so large in proportion to their bodies.

There should always be some flowering and maturing of the fruits of nature in the cooking process. Some simple dishes recommend themselves to our imaginations as well as palates. In parched corn, for instance, there is a manifest sympathy between the bursting seed and the more perfect developments of vegetable life. It is a perfect flower with its petals, like the houstonia or anemone. On my warm hearth these cerealian blossoms expanded; here is the bank whereon they grew. Perhaps some such visible blessing would always attend the simple and wholesome repast.

Here was that “pleasant harbor” which we had sighed for, where the weary voyageur could read the journal of some other sailor, whose bark had ploughed, perchance, more famous and classic seas. At the tables of the gods, after feasting follow music and song; we will recline now under these island trees, and for our minstrel call on

ANACREON.

“Nor has he ceased his charming song, for still that lyre, Though he is dead, sleeps not in Hades.”

Simonides’ Epigram on Anacreon.

I lately met with an old volume from a London bookshop, containing the Greek Minor Poets, and it was a pleasure to read once more only the words, Orpheus, Linus, Musæus,—those faint poetic sounds and echoes of a name, dying away on the ears of us modern men; and those hardly more substantial sounds, Mimnermus, Ibycus, Alcaeus, Stesichorus, Menander. They lived not in vain. We can converse with these bodiless fames without reserve or personality.

I know of no studies so composing as those of the classical scholar. When we have sat down to them, life seems as still and serene as if it were very far off, and I believe it is not habitually seen from any common platform so truly and unexaggerated as in the light of literature. In serene hours we contemplate the tour of the Greek and Latin authors with more pleasure than the traveller does the fairest scenery of Greece or Italy. Where shall we find a more refined society? That highway down from Homer and Hesiod to Horace and Juvenal is more attractive than the Appian. Reading the classics, or conversing with those old Greeks and Latins in their surviving works, is like walking amid the stars and constellations, a high and by way serene to travel. Indeed, the true scholar will be not a little of an astronomer in his habits. Distracting cares will not be allowed to obstruct the field of his vision, for the higher regions of literature, like astronomy, are above storm and darkness.

But passing by these rumors of bards, let us pause for a moment at the Teian poet.

There is something strangely modern about him. He is very easily turned into English. Is it that our lyric poets have resounded but that lyre, which would sound only light subjects, and which Simonides tells us does not sleep in Hades? His odes are like gems of pure ivory. They possess an ethereal and evanescent beauty like summer evenings, ὅ χρή σε νοεῖν νόου ἄνθει,—which you must perceive with the flower of the mind,—and show how slight a beauty could be expressed. You have to consider them, as the stars of lesser magnitude, with the side of the eye, and look aside from them to behold them. They charm us by their serenity and freedom from exaggeration and passion, and by a certain flower-like beauty, which does not propose itself, but must be approached and studied like a natural object. But perhaps their chief merit consists in the lightness and yet security of their tread;

“The young and tender stalk Ne’er bends when they do walk.”

True, our nerves are never strung by them; it is too constantly the sound of the lyre, and never the note of the trumpet; but they are not gross, as has been presumed, but always elevated above the sensual.

These are some of the best that have come down to us.

ON HIS LYRE.

I wish to sing the Atridæ, And Cadmus I wish to sing; But my lyre sounds Only love with its chords. Lately I changed the strings And all the lyre; And I began to sing the labors Of Hercules; but my lyre Resounded loves. Farewell, henceforth, for me, Heroes! for my lyre Sings only loves.

TO A SWALLOW.

Thou indeed, dear swallow, Yearly going and coming, In summer weavest thy nest, And in winter go’st disappearing Either to Nile or to Memphis. But Love always weaveth His nest in my heart….

ON A SILVER CUP.

Turning the silver, Vulcan, make for me, Not indeed a panoply, For what are battles to me? But a hollow cup, As deep as thou canst And make for me in it Neither stars, nor wagons, Nor sad Orion; What are the Pleiades to me? What the shining Bootes? Make vines for me, And clusters of grapes in it, And of gold Love and Bathyllus Treading the grapes With the fair Lyæus

ON HIMSELF.