Part 9

Back came Mrs. Chebec with a swoop, but, on seeing me, halted short of the nest. I was motionless. Hopping cautiously toward the nest, she took an anxious look inside; finding nothing disturbed, she concluded that there was no evil in me, and so went on with her interesting work. It was a pretty sight. In a quiet, capable, womanly way she laid the lining in, making the nest, in her infinite mother-love, fit for eggs with shells of foam.

The chebec is a finished architect. Better builders are few indeed. The humming-bird is slower, more painstaking, and excels Chebec in outside finish. But Chebec's nest is so deep, so soft, so round and hollow! There is the loveliness of pure curve in its walls. And small wonder! She bends them about the beautiful mold of her own breast. Whenever she entered with the dandelion cotton, she went round and round these walls, before leaving, pressing them fondly with her chin close against her breast. She could not make them sufficiently safe nor half lovely enough for the white, fragile treasures to be cradled there.

Artists though they be, the chebecs, nevertheless, are very tiresome birds. They think that they can sing--a sad, sorry, maddening mistake. Mr. Chapman says the day that song was distributed among the birds the chebecs sat on a back seat. Would they had been out catching flies! In the chatter of the English sparrow, no matter how much I may resent his impudence and swagger, there is something so bright and lively that I never find him really tiresome. But the chebecs come back very early in spring, and sit around for days and days, catching flies, and jerking their heads and calling, Chebec! chebec! chebec! till you wish their heads would snap off.

In the tree next to the chebec's was a brood of robins. The crude nest was wedged carelessly into the lowest fork of the tree, so that the cats and roving boys could help themselves without trouble. The mother sputtered and worried and scolded without let-up, trying to make good her foolishness in fixing upon such a site by abundance of anxiety and noise.

The fussiest, least sensible mother among the birds is the robin. Any place for her nest but a safe one! The number of young robins annually sacrificed to pure parental carelessness is appalling. The female chooses the site for the home, and her ability for blundering upon unattractive and exposed locations amounts to genius. She insists upon building on the sand. Usually the rain descends, the floods come, the winds blow, and there is a fall.

Here is a pair building upon a pile of boards under a cherry-tree; another pair plaster their nest to the rider of an old worm-fence; while a third couple, abandoning the woods near by, plant theirs, against all remonstrance, upon the top of a step-ladder that the brickmakers use daily in their drying-sheds.

It was the superlative stupidity of this robin that saved her family. The workmen at first knocked her nest off to the ground. She had plenty of clay at hand, however, and began her nest again, following the ladder as it moved about the shed. Such amazing persistence won, of course. Out of wonder, finally, the men gave the ladder over to her and stood aside till her family affairs were attended to. Everything was right in time. After infinite scolding, she at last came off in triumph, with her brood of four.

A striking illustration of this growing alliance between us and the birds is the nest of the great-crested flycatcher in the orchard. Great-crest has almost become an orchard-bird. At heart he is, and ever will be, a bird of the wilds. He is not tame--does not want to be tame; he is bold, and the dangers and advantages of orchard life attract him. His moving into an apple orchard is no less a wonder than would be an Apache chief's settling in New York or Boston.

Most observers still count Great-crest among the wild and unreclaimed. Florence A. Merriam, speaking of his return in spring, says: "Not many days pass, however, before he is so taken up with domestic matters that his voice is rarely heard outside the woods"; and in Stearns's "Birds" I find: "It does not court the society of man, but prefers to keep aloof in the depths of the forest, where it leads a wild, shy, and solitary life." This is not Great-crest as I know him. I have found many of his nests, and never one in any but orchard trees. Riding along a country road lately, I heard Great-crest's call far ahead of me. I soon spied him on the wires of a telegraph-pole. Under him was a pear-tree, and a hundred yards away a farm-house. In the pear-tree I found his nest--snake-skins and all.

I disagree, too, with most descriptions of this bird's cry. The authors I have read seem never to have heard him on a quiet May morning across a fifty-acre field. His voice is "harsh and discordant" when sounded into one's very ears. The sweetest-toned organ would be discordant to one inside the instrument. Give the bird the room he demands,--wide, early-morning fields,--and listen. A single shout, almost human it seems, wild, weird, and penetrating, yet clear and smooth as the blast of a bugle. One can never forget it, nor resist it; for it thrills like a resurrection call--the last, long summons to the spring waking. This solitary note is often repeated, but is never so rapid nor so long drawn out as the call of the flicker.

Great-crest is a character, one of the most individual of all our birds. What other bird lines his nest with snake-skins? or hangs such gruesome things out for latch-strings? He has taken up his residence among us, but he has given us pretty plainly to understand that we need not call, else I mistake the hint in the scaly skin that dangles from his door. The strong personality of the bird is stamped even upon its eggs. Where are any to match them for curious, crazy coloring? The artist had purple inks, shading all the way from the deepest chestnut-purple to the faintest lilac. With a sharp pen he scratched the shell from end to end with all his colors till it was covered, then finished it off with a few wild flourishes and crosswise scrawls.

Like the birds of the orchards and buildings, the field-birds also are yielding to human influences. We can almost say that we have an order of farm-birds, so many species seem to have become entirely dependent upon the pasture and grain-field.

"Where did Bobolink disport himself before there were meadows in the North and rice-fields in the South? Was he the same lithe, merry-hearted beau then as now?" I do not know. But I do know that, in the thirty and three years since Mr. Burroughs asked the question, Bobolink has lost none of his nimbleness, nor forgotten one bubbling, tinkling note of his song. Yet in his autumn journey South, from the day he reaches the ripe reeds of the Jersey marshes till he is lost in the wide rice-lands of Georgia, his passage is through a ceaseless, pitiless storm of lead. Dare he return to us in spring? and can he ever sing again? He will come if May comes--forgetting and forgiving, dressed in as gay a suit as ever, and just as full of song.

There is no marvel of nature's making equal to the miracle of her temper toward man. How gladly she yields to his masterful dominion! How sufferingly she waits for him to grow out of his spoiled, vicious childhood. The spirit of the bobolink ought to exorcise the savage out of us. It ought, and it does--slowly.

We are trying, for instance, to cow the savage in us by law, to restrain it while the birds are breeding; but we hardly succeed yet. The mating season is scarcely over, the young not yet grown, when the gunners about me go into the fields with their dogs and locate every covey of quail, even counting the number of birds in each. With the dawn of the first day of open season they are out, going from flock to flock, killing, till the last possible bird is in their bloody bags.

One of the most pathetic of all the wordless cries of the out-of-doors is the covey-call of the female quail at night, trying to gather the scattered flock together after the dogs are called off and the hunters have gone home.

It was nearly dark one December afternoon, the snow ankle-deep and falling swiftly, when, crossing a wide field, I heard this call from a piece of sprout-land ahead of me. Kneeling in the snow, I answered the whistle. Instantly came a reply. Back and forth we signaled till there was a whir of wings, and down in the soft snow within a few feet of me dropped the lonely, frightened quail. She was the only one left of a covey that the night before had roosted unbroken, snugly wedged, with their tails together, under a pile of brush.

Sharing the fields with the quails are the meadow-larks. They scale along the grass, rarely rising higher than the cedars, flapping rapidly for a short distance, then sailing a little in a cautious, breath-held manner, as though wings were a new invention and just a trifle dangerous yet. On they go to a fence-stake, and land with many congratulatory flirts of wings and tail. Has anybody observed the feat? They look around. Yes; here I sit,--a man on a fence across the field,--and the lark turns toward me and calls out: "Did you see me?"

He would be the best-bred, most elegant of our birds, were it not for his self-consciousness. He is consumed with it. There is too much gold and jet on his breast. But, in spite of all this, the plain, rich back and wings, the slender legs, the long, delicate beak, the erect carriage, the important air, the sleek, refined appearance, compel us to put him down an aristocrat.

In a closely cropped pasture near the house, in early June, I found the eggs of the night-hawk. There was no nest, of course: the eggs lay upon the grass, and, for safety, had been left directly under the fence. The cows might not step on them here, but nothing prevented their crushing the fragile things with their noses.

Lengthwise, upon one of the rails, slept the mother. She zigzagged off at my approach, dazzled and uncertain in the white light of the noon, making no outcry nor stopping an instant to watch the fate of her eggs. She acted like a huge bat, slinking and dodging, out of her element in the light, and anxious to be hid. She did not seem like a creature that had a voice, and the way she flew would make one think that she did not know the use of her wings. But what a circus flier she is at night! and with what an uncanny noise she haunts the twilight! She has made more hair stand on end, with her earthward plunge and its unearthly boom through the dusk, than all the owls together. It is a ghostly joke. And who would believe in the daylight that this limp, ragged lump, dozing upon the fence or the kitchen roof, could play the spook so cleverly in the dark?

III

On the 25th of April, before the trees were in leaf, I heard the first true wood-note of the spring. It came from the tall oaks beyond the garden. "Clear, clear, clear up!" it rang, pure, untamed, and quickening. The solitary vireo! It was his whistle, inimitable, unmistakable; and though I had not seen him since last July, I hurried out to the woods, sure he would greet me.

Solitary is the largest, rarest, tamest, and sweetest-voiced of the vireos. I soon found him high in the tops of the trees; but I wanted him nearer. He would not descend. So I chased him, stoning and mocking him even, till, at last, he came down to the bushes and showed me his big blue head, white eye-rings, wing-bars, and yellow-washed sides.

He did more than show himself: he sang for me. Within ten feet of me, he began a quiet little warble of a tenderness and contentment I never heard before. Such variety of notes, such sweetness of melody, such easy, unconscious rendering! It was a love-song, but sung all to himself, for he knew that there was no gentle heart to listen this side of Virginia. He sang to his own happy heart as pure and sweet a song as the very angels know.

Solitary disappeared from that day. I concluded he had gone to heavier, wilder woods to nest. It was late in June that, passing through this brush-land, I saw hanging from an oak sapling, just above my head, a soft, yellowish basket. It was a vireo's nest; but it was too large, too downy, too yellow for Red-eye. There were no bunches of white spider-webs upon it, such as Red-eye hangs all over his nest. I stepped aside for a better view, and had just caught the glint of a large, white-ringed eye peering over the nest's edge at me, when, off in the woods behind me, the noon hush was startled by Solitary's whistle--a round, pure, pearly note that broke the quiet as pearly teeth break through the smile of a beautiful face. He soon appeared, coming on, a tree at a time, looking and asking, in no hurry and in no alarm. When he reached the pine overhead, his mate left the nest to confer with him. They scolded me mildly while I climbed for a look at the four delicately spotted eggs; but as soon as I lay down upon the ground, the mother, without fuss or fear, slipped into the nest and cuddled down over the eggs till her head hardly showed above the rim. Had a few bushes been removed I could have seen the nest from my front door.

Why do the wood-birds so persistently build their nests along the paths and roads? I said that even the hermit-thrush prefers a wood with a road through it. If he possibly can he will build along that road. And what one of the birds will not? Is it mere stupidity? Is it curiosity to see what goes on? Is there some safety here from enemies worse than boys and cats and dogs? Or is it that these birds take this chance for human fellowship? If this last is the reason for their rejecting the deep tangles for limbs that overhang roads and tufts of grass in constantly traveled foot-paths, then they can be pardoned; otherwise they are foolish--fatally foolish.

The first black-and-white warbler's nest I ever found was at the base of a clump of bushes in a narrow wood-path not ten feet from a highway. There were acres of bushes beyond, thick and pathless, all theirs to choose from.