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Part 5

A Village Stradivarius · Kate Douglas Smith Wiggin — chapter 5 of 7 · ~1,653 words · public domain

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She drew nearer, in spite of her dread of meeting people, or above all of intruding, and saw Anthony Croft standing over the stove, with an expression of utter helplessness on his usually placid face. She had never really seen him before in the daylight, and there was something about his appearance that startled her. The teakettle was on the floor, and a sea of water was flooding the man’s feet, yet he seemed to be gazing into vacancy. Presently he stooped, and fumbled gropingly for the kettle. It was too hot to be touched with impunity, and he finally left it in a despairing sort of way, and walked in the direction of a shelf, from under which a row of coats was hanging. The boy called again in a louder and more insistent tone, ending in a whimper of restless pain. This seemed to make the man more nervous than ever. His hands went patiently over and over the shelf, then paused at each separate nail.

“Bless the poor dear!” thought Lyddy. “Is he trying to find his hat, or what is he trying to do? I wonder if he is music mad?” and she drew still nearer the steps.

At this moment he turned and came rapidly toward the door. She looked straight in his face. There was no mistaking it: he was blind. The magician who had told her, through his violin, secrets that she had scarcely dreamed of, the wizard who had set her heart to throbbing and aching and longing as it had never throbbed and ached and longed before, the being who had worn a halo of romance and genius to her simple mind, was stone blind! A wave of impetuous anguish, as sharp and passionate as any she had ever felt for her own misfortunes, swept over her soul at the spectacle of the man’s helplessness. His sightless eyes struck her like a blow. But there was no time to lose. She was directly in his path: if she stood still he would certainly walk over her, and if she moved he would hear her, so, on the spur of the moment, she gave a nervous cough and said, “Good-morning, Mr. Croft.”

He stopped short. “Who is it?” he asked.

“I am—it is—I am—your new neighbour,” said Lyddy, with a trembling attempt at cheerfulness.

“Oh, Miss Butterfield! I should have called up to see you before this if it hadn’t been for the boy’s sickness. But I am a good-for-nothing neighbour, as you have doubtless heard. Nobody expects anything of me.”

(“Nobody expects anything of me.” Her own plaint, uttered in her own tone!)

“I don’t know about that,” she answered swiftly. “You’ve given me, for one, a great deal of pleasure with your wonderful music. I often hear you as you play after supper, and it has kept me from being lonesome. That isn’t very much, to be sure.”

“You are fond of music, then?”

“I didn’t know I was; I never heard any before,” said Lyddy simply; “but it seems to help people to say things they couldn’t say for themselves, don’t you think so? It comforts me even to hear it, and I think it must be still more beautiful to make it.”

Now, Lyddy Ann Butterfield had no sooner uttered this commonplace speech than the reflection darted through her mind like a lightning flash that she had never spoken a bit of her heart out like this in all her life before. The reason came to her in the same flash: she was not being looked at; her disfigured face was hidden. This man, at least, could not shrink, turn away, shiver, affect indifference, fix his eyes on hers with a fascinated horror, as others had done. Her heart was divided between a great throb of pity and sympathy for him and an irresistible sense of gratitude for herself. Sure of protection and comprehension, her lovely soul came out of her poor eyes and sat in the sunshine. She spoke her mind at ease, as we utter sacred things sometimes under cover of darkness.

“You seem to have had an accident; what can I do to help you?” she asked.

“Nothing, thank you. The boy has been sick for some days, but he seems worse since last night. Nothing is in its right place in the house, so I have given up trying to find anything, and am just going to Edgewood to see if somebody will help me for a few days.”

“Uncle Tony! Uncle To-ny! where are you? Do give me another drink, I’m so hot!” came the boy’s voice from within.

“Coming, laddie! I don’t believe he ought to drink so much water, but what can I do? He is burning up with fever.”

“Now look here, Mr. Croft,” and Lydia’s tone was cheerfully decisive. “You sit down in that rocker, please, and let me command the ship for a while. This is one of the cases where a woman is necessary. First and foremost, what were you hunting for?”

“My hat and the butter,” said Anthony meekly, and at this unique combination they both laughed. Lyddy’s laugh was particularly fresh, childlike, and pleased; one that would have astonished the Reynolds children. She had seldom laughed heartily since little Rufus had cried and told her she frightened him when she twisted her face so.

“Your hat is in the wood-box, and I’ll find the butter in the twinkling of an eye, though why you want it now is more than—My patience, Mr. Croft, your hand is burned to a blister!”

“Don’t mind me. Be good enough to look at the boy and tell me what ails him; nothing else matters much.”

“I will with pleasure, but let me ease you a little first. Here’s a rag that will be just the thing,” and Lyddy, suiting the pretty action to the mendacious word, took a good handkerchief from her pocket and tore it in three strips, after spreading it with tallow from a candle heated over the stove. This done, she bound up the burned hand skilfully, and, crossing the dining-room, disappeared within the little chamber door beyond. She came out presently, and said half hesitatingly, “Would you—mind—going out in the orchard for an hour or so? You seem to be rather in the way here, and I should like the place to myself, if you’ll excuse me for saying so. I’m ever so much more capable than Mrs. Buck; won’t you give me a trial, sir? Here’s your violin and your hat. I’ll call you if you can help or advise me.”

“But I can’t let a stranger come in and do my housework,” he objected. “I can’t, you know, though I appreciate your kindness all the same.”

“I am your nearest neighbour, and your only one, for that matter,” said Lyddy firmly; “it’s nothing more than right that I should look after that sick child, and I must do it. I haven’t got a thing to do in my own house. I am nothing but a poor lonely old maid, who’s been used to children all her life, and likes nothing better than to work over them.”

A calm settled upon Anthony’s perturbed spirit, as he sat under the apple-trees and heard Lyddy going to and fro in the cottage. “She isn’t any old maid,” he thought; “she doesn’t step like one; she has soft shoes and a springy walk. She must be a very handsome woman, with a hand like that; and such a voice!—I knew the moment she spoke that she didn’t belong in this village.”

As a matter of fact, his keen ear had caught the melody in Lyddy’s voice, a voice full of dignity, sweetness, and reserve power. His sense of touch, too, had captured the beauty of her hand, and held it in remembrance—the soft palm, the fine skin, supple fingers, smooth nails, and firm round wrist. These charms would never have been noted by any seeing man in Edgewood, but they were revealed to Anthony Croft while Lyddy, like the good Samaritan, bound up his wounds. It is these saving stars that light the eternal darkness of the blind.

Lyddy thought she had met her Waterloo when, with arms akimbo, she gazed about the Croft establishment, which was a scene of desolation for the moment. Anthony’s cousin from Bridgton was in the habit of visiting him every two months for a solemn house-cleaning, and Mrs. Buck from Pleasant River came every Saturday and Monday for baking and washing. Between times Davy and his uncle did the housework together; and although it was respectably done, there was no pink-and-white daintiness about it, you may be sure.

Lyddy came out to the apple-trees in about an hour, laughing nervously as she said, “I’m sorry to have taken a mean advantage of you, Mr. Croft, but I know everything you have in your house, and exactly where it is. I couldn’t help it, you see, when I was making things tidy. It would do you good to look at the boy. His room was too light, and the flies were devouring him. I swept him and dusted him, put on clean sheets and pillow-slips, sponged him with bay rum, brushed his hair, drove out the flies, and tacked a green curtain up to the window. Fifteen minutes after he was sleeping like a kitten. He has a sore throat and considerable fever. Could you—can you—at least, will you, go up to my house on an errand?”

“Certainly I can. I know it inside and out as well as my own.”

“Very good. On the clock shelf in the sitting-room there is a bottle of sweet spirits of nitre; it’s the only bottle there, so you can’t make any mistake. It will help until the doctor comes. I wonder you didn’t send for him yesterday?”

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