Part 26

"I think," she was saying, "that I should be perfectly happy if I could know that the long misunderstanding that has caused us both so much pain, had had a meaning as sweet and acceptable to you as it would be to me."

The Colonel pulled out his pocket-handkerchief and wiped his forehead, surreptitiously including his eyes in the process.

"I've been a brute," he muttered, in rather a husky voice, scowling savagely into the crown of his hat, which he had lifted from his knees. As if displeased with its appearance, he put it on his head, where he planted it firmly.

She knew that she had all but won the day, and she ventured what she had not ventured before. For it had never been her way to prate of an impossible friendship; if she used the word she meant to honour it. And to-day something told her that at last she held control of the situation.

There was nothing in her voice to betray the intense exertion of will that she was conscious of making; on the contrary, her words sounded only wistful and entreating, as she said:

"What friends we should be!"

And because it was the first time she had made that appeal to him, and because these weeks of pleasant, normal companionship had subtly and surely changed their relation, the Colonel could meet her half-way, like the gallant fellow he was.

"What friends we shall be!" he cried, clasping the hand which she had involuntarily lifted. "And we won't let it depend upon those youngsters either!"

The gondola had entered one of the canals of the city, and presently they passed under a bridge and came out in front of the square of San Paolo and San Giovanni, where the superb statue of Coleoni on his magnificent charger stands clear-cut against the sky.

"Glorious thing, that," the Colonel remarked, as he invariably did, as often as his eye fell upon it.

"Yes," she replied; "it is the very apotheosis of success. And yet,--one sometimes questions whether a perfectly successful man is as enviable as he seems. What do you think about it, Colonel?"

"Signora," the Colonel answered, with a flash of feeling in his rugged features that would have done credit to Vittorio's expressive face, "I have had my promotion, and I envy no man!"

XIII

Illuminations

If Geoffry Daymond had known no more about Nanni than was known to May herself, the little incident which had caused such perturbation in the young girl's mind would not have made any special impression upon him. The scene itself, indeed, might have lingered in his mind as one of those charming surprises that lurk in the enchanted atmosphere of the lagoons. The striking beauty of Nanni's countenance is the possession of many an honest gondolier, nor would the glow of feeling which animated the face, have been anything unprecedented in a man of his class. Old Pietro himself, slumbering at that moment on the floor of his gondola, often exhibited a startling power of facial expression, which fairly transfigured his weather-worn features. No, in a simple gondolier both beauty of face and brilliancy and depth of expression are quite in the natural order. And if it is not often that one sees these advantages heightened by so admirable a foil as was provided on this occasion, it is simply because such vivid grace of the contrasting type is rare.

Geoffry's first sensation then, as he caught sight of the two figures, was one of gratification to his artistic sense; and even when May extended her hand, and Nanni, after the custom of the gondolier, raised it to his lips, it did not at once strike the young man as other than natural and fitting. In an instant, however, he recalled the fact, which he had learned of Pietro a month previous, that this was no mere gondolier, but a man of education and consequence in the world; a circumstance which, undeniably, put a different face upon the matter. It accounted too, perhaps, for the curiously appealing impression of the man's personality. There was undoubtedly something pathetic in this son of a line of gondoliers, reaching back farther than many a titled family, this man with an innate love for the craft, a genuine passion for the lagoons, placed in the artificial environment of modern society, constrained to deal with the hard-and-fast exactions of modern science. No wonder that there was that about him that excited the imagination. Geof had himself felt it; his mother had spoken of it. Who could know how powerful the appeal might be to one who had not the key to the puzzle?

When, therefore, Geof came upon the little drama being enacted among the alders at Torcello, with a grace and fervour which was for an instant, but only for an instant captivating, he experienced a feeling of vague dissatisfaction, which was much accentuated by the sight of the young girl's evident emotion, as she turned and faced him unexpectedly.

He did a good deal of pondering in the course of that day and the next, and, as he was quite unable to justify, or even to formulate his anxieties, he wished that he might at least find out whether the truth in regard to the gondolier were known to May. That might throw some light upon the subject.

He was aware, to be sure, of the Colonel's studied secrecy in the matter, but secrets are ticklish things at the best, and no stray hint was likely to have been lost upon a girl of May's intelligence. He had a notion that, if he could get a word with Nanni himself, it would be easy to sound him on the point; a delusion that was destined to be early dissipated.

On the second morning following the Torcello trip, Geof was swimming in the Adriatic, far out beyond the line of bathers, shouting and splashing; in the shallows. There, under a dazzling sky, with a strong wind blowing, and whitecaps careering about, he came face to face with the subject of his speculations. The incongruity of catechising a man of his countenance was instantly apparent.

"Buon giorno, Signore," said Nanni, and Daymond found himself returning the salutation with a courtesy that was little short of deferential. The two men had met upon a common footing,--if the watery deep may be said to furnish one,--and Geof had found himself at a disadvantage.

The incident did not altogether allay his friendly solicitude; on the contrary, he was abashed and confounded at this evidence of the power of the Italian's personality; and yet, he was more definitely conscious than he had hitherto been, of a certain racial nobility in the man which commanded confidence.

The wind, that had been a sportive, if somewhat riotous breeze in the morning, gained in force as the day went on. There were few gondolas out in the afternoon, and Geof went about on foot. He walked the length of the wind-swept Riva degli Schiavoni, and then he struck across the city, by narrow alleys and picturesque, out-of-the-way squares, and looked in at certain churches for which the guide-books recommend the afternoon light. Toward the end of the day he found his way back to the Piazza.

The great square was in holiday guise, in honour of some guest of the city. From the three famous flag-staffs in front of San Marco the colours of Italy were floating, rolling and unrolling upon the breeze, in gracefully undulating folds. Men were affixing additional gas-jets to the great candelabra, making ready for the evening illumination.

Just as Geof arrived upon the scene, a boy, with a paper of corn in each outstretched hand, came running down the length of the Piazza, followed by a fluttering swarm of pigeons, hundreds of them on the wing, in hot pursuit of the flying provender. The wings made a sound of multitudinous flapping that was singularly agreeable to the ear. Geof watched their laughing tormenter until he stopped for breath near the base of the campanile, and, in an instant, the pigeons were alighting on his arms and shoulders, and gathering in an eager, gurgling mass about his feet. The corn fell in a golden shower among them, and great was the jostling and gobbling and short was the duration of that golden shower.

Geof turned in at the open door of San Marco, and found his way to one of his favourite haunts, a certain dimly sumptuous side-chapel, where a hint of incense always hovers, and a whispered echo, as of long-past aves and salves, lingers on the air. Curious carvings are there, and bits of gleaming gold and silver, and, between the pillars, enchanting vistas open out into the transept, or down the mosaic-laid floor of the nave, polished smooth by the feet of generations of worshippers.

As he tarried there, the familiar sense of passive content which he had had of late stole upon him, and he was aware that a certain face and voice were again present with him. Why, he wondered, since it was of other things he had been thinking all day long,--why did that face and voice come to him? Was it merely a habit of mind, a trick of thought engendered by this idle, aimless Venetian life? Or was it a natural association of pure and lovely impressions?

And there, in the rich gloom of the great basilica, traced out and accentuated, as it were, by long bars of light that made a golden pathway down from the high western windows, a light entered into his mind, and he knew what his mother had divined long ago.