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Part 3

A. V. Laider · Max Beerbohm — chapter 3 of 6 · ~2,409 words · public domain

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"Ah, I've no doubt it is."

I held out my palms. But, to my great disappointment, he looked quickly away from them. He had ceased to smile. There was agitation in his voice as he explained that he never looked at people's hands now. "Never now--never again." He shook his head as though to beat off some memory.

I was much embarrassed by my indiscretion. I hastened to tide over the awkward moment by saying that if I could read hands I wouldn't, for fear of the awful things I might see there.

"Awful things, yes," he whispered, nodding at the fire.

"Not," I said in self-defense, "that there's anything very awful, so far as I know, to be read in MY hands."

He turned his gaze from the fire to me.

"You aren't a murderer, for example?"

"Oh, no," I replied, with a nervous laugh.

"I am."

This was a more than awkward, it was a painful, moment for me; and I am afraid I must have started or winced, for he instantly begged my pardon.

"I don't know," he exclaimed, "why I said it. I'm usually a very reticent man. But sometimes--" He pressed his brow. "What you must think of me!"

I begged him to dismiss the matter from his mind.

"It's very good of you to say that; but--I've placed myself as well as you in a false position. I ask you to believe that I'm not the sort of man who is 'wanted' or ever was 'wanted' by the police. I should be bowed out of any police-station at which I gave myself up. I'm not a murderer in any bald sense of the word. No."

My face must have perceptibly brightened, for, "Ah," he said, "don't imagine I'm not a murderer at all. Morally, I am." He looked at the clock. I pointed out that the night was young. He assured me that his story was not a long one. I assured him that I hoped it was. He said I was very kind. I denied this. He warned me that what he had to tell might rather tend to stiffen my unwilling faith in palmistry, and to shake my opposite and cherished faith in free will. I said, "Never mind." He stretched his hands pensively toward the fire. I settled myself back in my chair.

"My hands," he said, staring at the backs of them, "are the hands of a very weak man. I dare say you know enough of palmistry to see that for yourself. You notice the slightness of the thumbs and of he two 'little' fingers. They are the hands of a weak and over-sensitive man--a man without confidence, a man who would certainly waver in an emergency. Rather Hamletish hands," he mused. "And I'm like Hamlet in other respects, too: I'm no fool, and I've rather a noble disposition, and I'm unlucky. But Hamlet was luckier than I in one thing: he was a murderer by accident, whereas the murders that I committed one day fourteen years ago--for I must tell you it wasn't one murder, but many murders that I committed--were all of them due to the wretched inherent weakness of my own wretched self.

"I was twenty-six--no, twenty-seven years old, and rather a nondescript person, as I am now. I was supposed to have been called to the bar. In fact, I believe I HAD been called to the bar. I hadn't listened to the call. I never intended to practise, and I never did practise. I only wanted an excuse in the eyes of the world for existing. I suppose the nearest I have ever come to practicing is now at this moment: I am defending a murderer. My father had left me well enough provided with money. I was able to go my own desultory way, riding my hobbies where I would. I had a good stableful of hobbies. Palmistry was one of them. I was rather ashamed of this one. It seemed to me absurd, as it seems to you. Like you, though, I believed in it. Unlike you, I had done more than merely read a book about it. I had read innumerable books about it. I had taken casts of all my friends' hands. I had tested and tested again the points at which Desbarolles dissented from the Gipsies, and--well, enough that I had gone into it all rather thoroughly, and was as sound a palmist, as a man may be without giving his whole life to palmistry.

"One of the first things I had seen in my own hand, as soon as I had learned to read it, was that at about the age of twenty-six I should have a narrow escape from death--from a violent death. There was a clean break in the life-line, and a square joining it--the protective square, you know. The markings were precisely the same in both hands. It was to be the narrowest escape possible. And I wasn't going to escape without injury, either. That is what bothered me. There was a faint line connecting the break in the lifeline with a star on the line of health. Against that star was another square. I was to recover from the injury, whatever it might be. Still, I didn't exactly look forward to it. Soon after I had reached the age of twenty-five, I began to feel uncomfortable. The thing might be going to happen at any moment. In palmistry, you know, it is impossible to pin an event down hard and fast to one year. This particular event was to be when I was ABOUT twenty-six; it mightn't be till I was twenty-seven; it might be while I was only twenty-five.

"And I used to tell myself it mightn't be at all. My reason rebelled against the whole notion of palmistry, just as yours does. I despised my faith in the thing, just as you despise yours. I used to try not to be so ridiculously careful as I was whenever I crossed a street. I lived in London at that time. Motor-cars had not yet come in, but--what hours, all told, I must have spent standing on curbs, very circumspect, very lamentable! It was a pity, I suppose, that I had no definite occupation--something to take me out of myself. I was one of the victims of private means. There came a time when I drove in four-wheelers rather than in hansoms, and was doubtful of four-wheelers. Oh, I assure you, I was very lamentable indeed.

"If a railway-journey could be avoided, I avoided it. My uncle had a place in Hampshire. I was very fond of him and of his wife. Theirs was the only house I ever went to stay in now. I was there for a week in November, not long after my twenty-seventh birthday. There were other people staying there, and at the end of the week we all traveled back to London together. There were six of us in the carriage: Colonel Elbourn and his wife and their daughter, a girl of seventeen; and another married couple, the Bretts. I had been at Winchester with Brett, but had hardly seen him since that time. He was in the Indian Civil, and was home on leave. He was sailing for India next week. His wife was to remain in England for some months, and then join him out there. They had been married five years. She was now just twenty-four years old. He told me that this was her age. The Elbourns I had never met before. They were charming people. We had all been very happy together. The only trouble had been that on the last night, at dinner, my uncle asked me if I still went in for 'the Gipsy business,' as he always called it; and of course the three ladies were immensely excited, and implored me to 'do' their hands. I told them it was all nonsense, I said I had forgotten all I once knew, I made various excuses; and the matter dropped. It was quite true that I had given up reading hands. I avoided anything that might remind me of what was in my own hands. And so, next morning, it was a great bore to me when, soon after the train started, Mrs. Elbourn said it would be 'too cruel' of me if I refused to do their hands now. Her daughter and Mrs. Brett also said it would be 'brutal'; and they were all taking off their gloves, and--well, of course I had to give in.

"I went to work methodically on Mrs. Elbourn's hands, in the usual way, you know, first sketching the character from the backs of them; and there was the usual hush, broken by the usual little noises--grunts of assent from the husband, cooings of recognition from the daughter. Presently I asked to see the palms, and from them I filled in the details of Mrs. Elbourn's character before going on to the events in her life. But while I talked I was calculating how old Mrs. Elbourn might be. In my first glance at her palms I had seen that she could not have been less than twenty-five when she married. The daughter was seventeen. Suppose the daughter had been born a year later--how old would the mother be? Forty-three, yes. Not less than that, poor woman!"

Laider looked at me.

"Why 'poor woman!' you wonder? Well, in that first glance I had seen other things than her marriage-line. I had seen a very complete break in the lines of life and of fate. I had seen violent death there. At what age? Not later, not possibly LATER, than forty-three. While I talked to her about the things that had happened in her girlhood, the back of my brain was hard at work on those marks of catastrophe. I was horribly wondering that she was still alive. It was impossible that between her and that catastrophe there could be more than a few short months. And all the time I was talking; and I suppose I acquitted myself well, for I remember that when I ceased I had a sort of ovation from the Elbourns.

"It was a relief to turn to another pair of hands. Mrs. Brett was an amusing young creature, and her hands were very characteristic, and prettily odd in form. I allowed myself to be rather whimsical about her nature, and having begun in that vein, I went on in it, somehow, even after she had turned her palms. In those palms were reduplicated the signs I had seen in Mrs. Elbourn's. It was as though they had been copied neatly out. The only difference was in the placing of them; and it was this difference that was the most horrible point. The fatal age in Mrs. Brett's hands was--not past, no, for here SHE was. But she might have died when she was twenty-one. Twenty-three seemed to be the utmost span. She was twenty-four, you know.

"I have said that I am a weak man. And you will have good proof of that directly. Yet I showed a certain amount of strength that day--yes, even on that day which has humiliated and saddened the rest of my life. Neither my face nor my voice betrayed me when in the palms of Dorothy Elbourn I was again confronted with those same signs. She was all for knowing the future, poor child! I believe I told her all manner of things that were to be. And she had no future--none, none in THIS world--except--

"And then, while I talked, there came to me suddenly a suspicion. I wondered it hadn't come before. You guess what it was? It made me feel very cold and strange. I went on talking. But, also, I went on--quite separately--thinking. The suspicion wasn't a certainty. This mother and daughter were always together. What was to befall the one might anywhere--anywhere--befall the other. But a like fate, in an equally near future, was in store for that other lady. The coincidence was curious, very. Here we all were together--here, they and I--I who was narrowly to escape, so soon now, what they, so soon now, were to suffer. Oh, there was an inference to be drawn. Not a sure inference, I told myself. And always I was talking, talking, and the train was swinging and swaying noisily along--to what? It was a fast train. Our carriage was near the engine. I was talking loudly. Full well I had known what I should see in the colonel's hands. I told myself I had not known. I told myself that even now the thing I dreaded was not sure to be. Don't think I was dreading it for myself. I wasn't so 'lamentable' as all that--now. It was only of them that I thought--only for them. I hurried over the colonel's character and career; I was perfunctory. It was Brett's hands that I wanted. THEY were the hands that mattered. If THEY had the marks-- Remember, Brett was to start for India in the coming week, his wife was to remain in England. They would be apart. Therefore--

"And the marks were there. And I did nothing--nothing but hold forth on the subtleties of Brett's character. There was a thing for me to do. I wanted to do it. I wanted to spring to the window and pull the communication-cord. Quite a simple thing to do. Nothing easier than to stop a train. You just give a sharp pull, and the train slows down, comes to a standstill. And the guard appears at your window. You explain to the guard.

"Nothing easier than to tell him there is going to be a collision. Nothing easier than to insist that you and your friends and every other passenger in the train must get out at once. There ARE easier things than this? Things that need less courage than this? Some of THEM I could have done, I dare say. This thing I was going to do. Oh, I was determined that I would do it--directly.

"I had said all I had to say about Brett's hands. I had brought my entertainment to an end. I had been thanked and complimented all round. I was quite at liberty. I was going to do what I had to do. I was determined, yes.

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