Part 5

Buonaparte has been no bad locumtenens of this palace for the Bourbons, as it bears abundant testimony to the taste with which he caused it to be decorated. He had the entire of the Louvre scratched, so as to give it quite a new appearance, and his crown and initials are everywhere to be seen. On the grand façade was an inscription, signifying, "that Napoleon the Great had completed what Henry the Fourth had begun;" but this inscription has disappeared, since the return of the descendants of Henry IV. to the palace which that great king had built, and which an usurper endeavoured to persuade posterity he had a share in constructing. It is worthy of remark, that this chef d'oeuvre of architecture, as if has always been considered, was not the work of a professed architect, but of M. Perrault, a physician. The word Louvre is, by some, derived from the Saxon Louvar, signifying a castle.

Buonaparte's plans for the further improvement of this palace were on the most extensive scale imaginable, as he intended to remove all the buildings situated between the Louvre and the Tuilleries; and some idea of the extent of the proposed area may be formed, when it is considered that, in its present state, the place du Carousel is sufficiently capacious to admit of 15,000 men being drawn up there in battle array. Whilst I remained at Paris, a considerable number of workmen were engaged in carrying on these improvements, but it is probable, from the exhausted state in which the projector of these undertakings has left the finances of France, that it will be many years before it will be possible to complete them.

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CHAP. III.

If the stranger at Paris is struck by the magnificent appearance which the exterior of the Louvre presents, he cannot fail of being delighted with an inspection of the contents of its invaluable Museum. This, like nearly all the museums and libraries in Paris, is open to every individual, except on the days appropriated for study, when only artists are admitted; but even then, a stranger, whose stay is limited, may be admitted on producing his passport, a regulation which is highly commendable for its liberality; and at none of these repositories are the attendants permitted to lay any contributions on the visitants. The gallery of the Louvre was built by Henry IV. to join that palace with the Tuilleries, from which it was formerly separated, by the walls which surrounded Paris. This vast gallery is two hundred toises in length (not a great deal short of a quarter of an English mile); the collection of works of art here in without any parallel, as in this place are assembled most of the finest paintings and statues in the world, which the most indifferent must survey with admiration. But at the same time, it is impossible not to feel a portion of regret at the causes which have robbed Italy of those monuments, which its inhabitants so well knew how to appreciate, and for many of which they entertained a religious veneration, as the ornaments of their churches.

The French, as far as I am able to judge, do not (in general) possess any such feeling of sensibility, and merely value these chefs d'oeuvre because their merit is allowed to be incontestable, and because their vanity is flattered, in seeing them thus collected by their victories as an additional attraction for strangers to visit their capital.

But Italy, although thus despoiled of so many of her ornaments, will still have many and great attractions for the man of taste; her buildings exhibit the finest specimens of art that are any where remaining; and those possessed of a classic genius will always behold with delight the scenes celebrated by a Horace or a Virgil. The paintings in this gallery exceed 1200 in number; they are divided into three classes, the first contains the French school, the second the German, and the third the Italian. Catalogues and descriptions of the paintings may be had at the doors. I often visited this gallery, and always with increased admiration. I shall not attempt to enter into any details as to the respective excellence of the different paintings. Volumes have been written on the subject, and my testimony could add nothing to excellence which is acknowledged by all--by those who have not seen, on the reports of those who have visited this splendid assemblage, who, having seen, have not failed to admire, and to give currency to their admiration. The following lines on Raphael, will be readily admitted as just by those who have seen some of his sublime pictures:

Hic ille est Raphael, timuit quo sospite vinci, Rerum magna parens, et moriente mori.

Here Raphael lies, who could with nature vie, To him she feared to yield, with him to die.

Although I thought my admiration had been so largely called forth by the pictures I had just visited, as to have been almost exhausted, yet the distinguished excellence of the statues did not fail to rekindle it; and indeed it is impossible it should have been otherwise, when surrounded by such admirable specimens of art.--The number bears its due proportion to that of the pictures, and the same reasons which induced me to say little of them, will prevent my dilating on the excellence of the statues--

Et la meilleure chose, on la gâte souvent. Pour la vouloir outrer, et pousser trop avant.

I must, however, observe, that here are assembled the three finest statues in the world, the Laocoon, the Venus de Clomene, from the collection of the Medici family, and the Apollo Belvidere, which was found amongst the ruins of Antrum, about the end of the 15th century; and eveu in imagining the most perfect nature, it is difficult to form an idea of such perfection as is here exhibited; but much as I admired the Apollo, I was yet more delighted by contemplating the excellence displayed in the graceful figure of the Venus.

The gallery of paintings at the palace of the Luxemburg (which is now called the palace of the Peers of France, as they sit at present in the hall, formerly occupied by Buonaparte's Conservative Senate) although vastly inferior to that at the Louvre, both as to the number, and value of the collection it contains; yet it is well worthy the attention of the stranger, and the circumstance of its not being too crowded is favourable to the visitant, whose attention is not so much divided here as by the attractions of the greater collection, where he is often at a loss which way he shall turn. Here are statues of Bacchus and Ariadne. The gallery of Rubens contains twenty-one pictures by that great master, representing the history of Mary of Medicis; it also contains his Judgment of Paris. The gallery of Vernet contains a series of views of the principal sea-ports of France, by that painter, and also Poussin's picture of the Adoration of the Magi. Here are also two celebrated pictures by that great modern painter, David--Brutus after having condemned his Son, and the Oath of the Horatii, which appeared to me worthy of the favourable report I had before heard of them.

This palace has a spacious and handsome garden; the front of Queen's College, Oxford, is an imitation on a reduced scale of its façade to the street.

After the paintings, I next inquired after the Libraries which Paris contains; these are very numerous, but as I had so much to see, I contented myself with visiting the two principal ones, first, the royal library, Rue Richelieu. This contains the library of Petrarch, which alone would render it an object of curiosity. Here are also the globes of the Jesuit Coronelli, which are upwards of thirty-four feet in circumference. The Cabinet of Antiquities contains the collection of Count Caylus. The number of printed volumes is stated to amount to 350,000. The manuscripts are not less than 72,000. Here is also a vast and very valuable collection of medals, and about 5000 engravings. All persons are permitted to read here from ten until two o'clock.

The second Library which I visited was one which formerly belonged to that celebrated Minister, Cardinal Mazarin, and is now in the Palais des Beaux Arts, on the opposite side of the river from the Louvre. This collection consists of 60,000 volumes, amongst which are many works of great value.

If the traveller sees much to interest him, and much to admire during the course of his tour, it is natural that he should occasionally meet with disappointment; and I must confess that in the Metropolitan Church of Notre Dame, I saw little worthy of that praise which is lavished on it by the French; it is only venerable from its antiquity, being one of the most ancient Christian churches in Europe.--In point of architecture, and the general appearance of the exterior, it yields to any of the cathedrals, and to very many of the parish churches in England. The interior is mean in the extreme (the High Altar only excepted;) the body of the church being entirely filled up with the commonest rush bottomed chairs, and not kept in any tolerable order. But the most splendid church in Paris is unquestionably that of St. Sulpice, which is also one of the most striking buildings in the metropolis, notwithstanding the dissimilitude of the two towers of its grand Western front.

The Pantheon is not very different as to its general appearance from the last mentioned church. This edifice has cost already vast sums, but is not considered as completed. I saw during my stay at Paris most of the churches which it contains, and was in general disappointed with their appearance. The church of St. Roque is the handsomest after that of St. Sulpice. There is a Protestant church in the Rue St. Honoré, called L'Oratoire. Bossuet said of this congregation, "It is a body where all obey, and where no one commands."--Adjoining to this church is a very small chapel, where since the peace the service has been performed according to the form of the church of England. I attended here the Sunday after my arrival in Paris, and found the congregation consisted of about 40 persons, and at first sight one could not have supposed they were all British subjects, so completely had the ladies adopted the great hat, and the other peculiarities of the French ton.

Still one sees in the streets and public places several who do not desire to be thought French subjects, and who persist in wearing the much-abused habits of their own country.

There have been many disputes respecting the number of English actually in Paris; I have no doubt it has been extremely exaggerated. I saw, at my bankers, Messrs. Perregeaux & Co. a list of all those who had credit with them, which was less considerable by half at least than report had stated.

In the Place Vendôme stands a truly magnificent column (copied from that of Trajan at Rome) to commemorate the victories of Buonaparte, and his army in Germany. The execution of the bas reliefs reflects credit on the state of sculpture in France, and cannot fail to claim the approbation of the beholder.

On the top of the column stood a colossal statue of Buonaparte; this, like the other statues of that modern Sejanus, has disappeared since the downfall of his empire, and the return of the ancient dynasty has caused to be placed on its summit the white flag, formerly so much venerated by the French.

I set out at an early hour to go over the celebrated Gobelin manufactory in the Rue Mouffetard, the proprietor of which is extremely civil to strangers, and permits them to see his premises from ten till one o'clock, and they are well worthy of attention. The name of this manufactory is derived from its founder Gille Gobelin, originally from Rheims, who settled here in 1450.--I was also the same day much pleased with surveying the Stereotype press of that famous printer Didot, whose editions of various authors are in such esteem amongst judges of the art.

In the Place des Victoires, I observed an enormous statue of General Dessaix, on the site formerly occupied by one of Lewis XIV. (I have been informed, that about two months after my departure from Paris, this statue has been removed to a foundery, where by fusion, it may perhaps assume the appearance of a Bourbon.)--The Great Bureau of the Post, where only foreign letters can be franked, that is postpaid by those who send them (without which they are not forwarded) is in the Rue J.J. Rousseau, whose name was given to this street, from his having for some time occupied an attic story in it.

The Botanic Garden (Jardin des Plantes) being open to the public only on Tuesdays and Wednesdays, and its situation being at the farthest extremity of Paris from my hotel, I set out as early as possible to view it with the attention it deserved. It is on a very great scale, and contains about 7000 plants, arranged according to the scientific method of M. Jussieu. The Library I did not see, but the Museum and the Menagerie are on the most extensive scale, and accounts have been published of their curiosities.--Being fatigued with seeing the Lions, I sat down to rest for a short time on a vacant seat in the garden; but presently two elderly ladies came to the same place, and lamented in the most expressive terms the loss of a favourite dog; the lady who had lost it, said it was the only consolation she had, that it was absolutely necessary to love something, and that she felt most miserable at her loss.

This concern for the loss of a dog appeared to me much more natural, than the delight with which some virtuosos, whom I observed in the Museum, contemplated many of the specimens preserved there. The French have a great latitude of expression, being naturally an extremely lively people; but certainly not so much so as formerly. I recollect some years ago being much amused by an anecdote, related by the late Dr. Moore, in his "View of the State of Society and Manners in France, Italy, and Germany." The Doctor was informed by a French gentleman of his acquaintance, with that vivacity which distinguishes his nation, that he had just then received a final dismissal from a lady, who had for some time appeared to favour his addresses, and that he was absolutely in despair. Dr. Moore, who, from the vivacity of his friend's manners, had no idea that any thing had happened that seriously distressed him, answered, that he thought him the merriest person he had ever seen in such a situation. The other immediately replied, "but you English have such an idea of despair!"

The various revolutions of the last twenty-five years have doubtless contributed, in no small degree, to diminish much of that gaiety, which formerly distinguished the French from most other nations, and which formed one of their chief characteristics.

Under the late government reserve was positively necessary, so numerous were the emissaries of the police, and so anxious were they to report the most trifling circumstances to their employer, that they might convince him how very necessary they were to the furtherance of his government. In those unhappy times every man mistrusted his neighbour, fearing he might be concerned in one of the eighteen police establishments supported by the mistrust of the emperor in the affections of his subjects. The Conscription Laws, and the right which Buonaparte assumed of disposing in marriage all ladies possessed of a certain income, as a measure of rewarding the services of his officers, and which violated the closest connexions and best interests of society; together with his system of forced loans, which entirely destroyed the rights of private property, did not leave his subjects many incitements to mirth--although it was dangerous to appear dejected. "The Voyage Descriptif et Philosophique de Paris, par L---- P----," contains the following remarks, the truth of which renders them interesting, and I shall therefore translate them, for the information of those who may chance to peruse these pages. The author observes, "An air of inquietude has succeeded that openness and sociability, which so much distinguished the French. Their serious air announces that most people are considering the amount of their debts, and are always put to expedients. One guesses, that in a company of thirty at least twenty-four are revolving the means of acquiring wealth; and notwithstanding twenty are without it." I shall quote in conclusion what the same writer says of the Parisian, and which strikes me as a correct statement. "The Parisian is in general tolerably indifferent as to his political situation; he is never wholly enslaved, never free. He repels cannon by puns, and links together power and despotism by witty epigrams. He quickly forgets the misfortunes of the preceding day; he keeps no diary of grievances, and one might say, he has sufficient confidence in himself not to dread too absolute a despotism. It is to be hoped, that the happy restoration of the Bourbons will restore to the Parisian his gaiety, and that Louis XVIII. the legitimate father of the French, will cause all former political convulsions to be forgotten."