Part 3

Apart from his novels, De Maupassant's tales may be arranged under three heads: Those that concern themselves with Norman peasant life; those that deal with Government employees (Maupassant himself had long been one) and the Paris middle classes, and those that represent the life of the fashionable world, as well as the weird and fantastic ideas of the later years of his career. Of these three groups the tales of the Norman peasantry perhaps rank highest. He depicts the Norman farmer in surprisingly free and bold strokes, revealing him in all his caution, astuteness, rough gaiety, and homely virtue.

The tragic stage of De Maupassant's life may, I think, be set down as beginning just before the drama of "Musotte" was issued, in conjunction with Jacques Normand, in 1891. He had almost given up the hope of interpreting his puzzles, and the struggle between the falsity of the life which surrounded him and the nobler visions which possessed him was wearing him out. Doubtless he resorted to unwise methods for the dispelling of physical lassitude or for surcease from troubling mental problems. To this period belong such weird and horrible fancies as are contained in the short stories known as "He" and "The Diary of a Madman." Here and there, we know, were rising in him inklings of a finer and less sordid attitude 'twixt man and woman throughout the world and of a purer constitution of existing things which no exterior force should blemish or destroy. But with these yearningly prophetic gleams came a period of mental death. Then the physical veil was torn aside and for Guy de Maupassant the riddle of existence was answered. {signature}

MADEMOISELLE FIFI

The Major Graf von Farlsberg, the Prussian commandant, was reading his newspaper, lying back in a great armchair, with his booted feet on the beautiful marble fireplace, where his spurs had made two holes, which grew deeper every day, during the three months that he had been in the chateau of Urville.

A cup of coffee was smoking on a small inlaid table, which was stained with liquors burnt by cigars, notched by the penknife of the victorious officer, who occasionally would stop while sharpening a pencil, to jot down figures, or to make a drawing on it, just as it took his fancy.

When he had read his letters and the German newspapers, which his baggage-master had brought him, he got up, and after throwing three or four enormous pieces of green wood on to the fire--for these gentlemen were gradually cutting down the park in order to keep themselves warm--he went to the window. The rain was descending in torrents, a regular Normandy rain, which looked as if it were being poured out by some furious hand, a slanting rain, which was as thick as a curtain, and which formed a kind of wall with oblique stripes, and which deluged everything, a regular rain, such as one frequently experiences in the neighborhood of Rouen, which is the watering-pot of France.

For a long time the officer looked at the sodden turf, and at the swollen Andelle beyond it, which was overflowing its banks, and he was drumming a waltz from the Rhine on the window-panes, with his fingers, when a noise made him turn round; it was his second in command, Captain Baron von Kelweinstein.

The major was a giant, with broad shoulders, and a long, fair beard, which hung like a cloth on to his chest. His whole, solemn person suggested the idea of a military peacock, a peacock who was carrying his tail spread out on to his breast. He had cold, gentle, blue eyes, and the scar from a sword-cut, which he had received in the war with Austria; he was said to be an honorable man, as well as a brave officer.

The captain, a short, red-faced man, who was tightly girthed in at the waist, had his red hair cropped quite close to his head, and in certain lights almost looked as if he had been rubbed over with phosphorus. He had lost two front teeth one night, though he could not quite remember how. This defect made him speak so that he could not always be understood, and he had a bald patch on the top of his head, which made him look rather like a monk, with a fringe of curly, bright, golden hair round the circle of bare skin.

The commandant shook hands with him, and drank his cup of coffee (the sixth that morning) at a draught, while he listened to his subordinate's report of what had occurred; and then they both went to the window, and declared that it was a very unpleasant outlook. The major, who was a quiet man, with a wife at home, could accommodate himself to everything; but the captain, who was rather fast, being in the habit of frequenting low resorts, and much given to women, was mad at having been shut up for three months in the compulsory chastity of that wretched hole.

There was a knock at the door, and when the commandant said, "Come in," one of their automatic soldiers appeared, and by his mere presence announced that breakfast was ready. In the dining-room, they met three other officers of lower rank: a lieutenant, Otto von Grossling, and two sub-lieutenants, Fritz Scheunebarg, and Count von Eyrick a very short, fair-haired man, who was proud and brutal toward men, harsh toward prisoners, and very violent.

Since he had been in France, his comrades had called him nothing but "Mademoiselle Fifi." They had given him that nickname on account of his dandified style and small waist, which looked as if he wore stays, from his pale face, on which his budding mustache scarcely showed, and on account of the habit he had acquired of employing the French expression, fi, fi donc, which he pronounced with a slight whistle, when he wished to express his sovereign contempt for persons or things.

The dining-room of the chateau was a magnificent long room, whose fine old mirrors, now cracked by pistol bullets, and Flemish tapestry, now cut to ribbons and hanging in rags in places, from sword-cuts, told too well what Mademoiselle Fifi's occupation was during his spare time.

There were three family portraits on the walls; a steel-clad knight, a cardinal, and a judge, who were all smoking long porcelain pipes, which had been inserted into holes in the canvas, while a lady in a long, pointed waist proudly exhibited an enormous pair of mustaches, drawn with a piece of charcoal.

The officers ate their breakfast almost in silence in that mutilated room, which looked dull in the rain, and melancholy under its vanquished appearance, although its old, oak floor had become as solid as the stone floor of a public-house.

When they had finished eating, and were smoking and drinking, they began, as usual, to talk about the dull life they were leading. The bottles of brandy and of liquors passed from hand to hand, and all sat back in their chairs, taking repeated sips from their glasses, and scarcely removing the long, bent stems, which terminated in china bowls painted in a manner to delight a Hottentot, from their mouths.

As soon as their glasses were empty, they filled them again, with a gesture of resigned weariness, but Mademoiselle Fifi emptied his every minute, and a soldier immediately gave him another. They were enveloped in a cloud of strong tobacco smoke; they seemed to be sunk in a state of drowsy, stupid intoxication, in that dull state of drunkenness of men who have nothing to do, when suddenly, the baron sat up, and said: "By heavens! This cannot go on; we must think of something to do." And on hearing this, Lieutenant Otto and Sub-lieutenant Fritz, who pre-eminently possessed the grave, heavy German countenance, said: "What, Captain?"

He thought for a few moments, and then replied "What? Well, we must get up some entertainment; if the commandant will allow us."

"What sort of an entertainment, captain?" the major asked, taking his pipe out of his mouth.

"I will arrange all that, commandant," the baron said. "I will send Le Devoir to Rouen, who will bring us some ladies. I know where they can be found. We will have supper here, as all the materials are at hand, and, at least, we shall have a jolly evening."

Graf von Farlsberg shrugged his shoulders with a smile: "You must surely be mad, my friend."

But all the other officers got up, surrounded their chief, and said: "Let the captain have his own way, commandant; it is terribly dull here."

And the major ended by yielding. "Very well," he replied, and the baron immediately sent for Le Devoir.

The latter was an old corporal who had never been seen to smile, but who carried out all the orders of his superiors to the letter, no matter what they might be. He stood there, with an impassive face while he received the baron's instructions, and then went out; five minutes later a large wagon belonging to the military train, covered with a miller's tilt, galloped off as fast as four horses could take it, under the pouring rain, and the officers all seemed to awaken from their lethargy, their looks brightened, and they began to talk.

Although it was raining as hard as ever, the major declared that it was not so dull, and Lieutenant von Grossling said with conviction, that the sky was clearing up, while Mademoiselle Fifi did not seem to be able to keep in his place. He got up, and sat down again, and his bright eyes seemed to be looking for something to destroy. Suddenly, looking at the lady with the mustaches, the young fellow pulled out his revolver, and said: "You shall not see it." And without leaving his seat he aimed, and with two successive bullets cut out both the eyes of the portrait.

"Let us make a mine!" he then exclaimed, and the conversation was suddenly interrupted, as if they had found some fresh and powerful subject of interest. The mine was his invention, his method of destruction, and his favorite amusement.

When he left the chateau, the lawful owner, Count Fernand d'Amoys d'Urville, had not had time to carry away or to hide anything, except the plate, which had been stowed away in a hole made in one of the walls, so that, as he was very rich and had good taste, the large drawing-room, which opened into the dining-room, had looked like the gallery in a museum, before his precipitate flight.

Expensive oil-paintings, water-colors, and drawings hung upon the walls, while on the tables, on the hanging shelves, and in elegant glass cupboards, there were a thousand knickknacks: small vases, statuettes, groups in Dresden china, grotesque Chinese figures, old ivory, and Venetian glass, which filled the large room with their precious and fantastical array.