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Part 20

A Selection From the Writings of Guy De Maupassant, Vol. I · Guy de Maupassant — chapter 20 of 67 · ~1,206 words · public domain

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"Almost every day, I found in my pockets, in my hat when I lifted it from the ground, in my box of colors, in my polished shoes, standing in the mornings in front of my door, those little pious brochures, which she, no doubt, received directly from Paradise.

"I treated her as one would an old friend, with unaffected cordiality. But I soon perceived that she had changed somewhat in her manner; but, for a while, I paid little attention to it.

"When I walked about, whether to the bottom of the valley, or through some country lanes, I would see her suddenly appear, as though she were returning from a rapid walk. She would then sit down abruptly, out of breath, as though she had been running or overcome by some profound emotion. Her face would be red, that English red which is denied to the people of all other countries; then, without any reason, she would grow pale, become the color of the ground, and seem ready to faint away. Gradually, however, I would see her regain her ordinary color, whereupon she would begin to speak.

"Then, without warning, she would break off in the middle of a sentence, spring up from her seat, and march off so rapidly and so strangely, that it would, sometimes, put me to my wits' end to try and discover whether I had done or said anything to displease or offend her.

"I finally came to the conclusion that this arose from her early habits and training, somewhat modified, no doubt, in honor of me, since the first days of our acquaintanceship.

"When she returned to the farm, after walking for hours on the wind-beaten coast, her long curled hair would be shaken out and hanging loose, as though it had broken away from its bearings. It was seldom that this gave her any concern; though sometimes she looked as though she had been dining sans ceremonie; her locks having become disheveled by the breezes.

"She would then go up to her room in order to adjust what I called her glass lamps. When I would say to her, in familiar gallantry, which, however, always offended her:

"'You are as beautiful as a planet to-day, Miss Harriet,' a little blood would immediately mount into her cheeks, the blood of a young maiden, the blood of sweet fifteen.

"Then she would become abruptly savage and cease coming to watch me paint. But I always thought:

"'This is only a fit of temper she is passing through.'

"But it did not always pass away. When I spoke to her sometimes, she would answer me, either with an air of affected indifference, or in sullen anger; and she became by turns rude, impatient, and nervous. For a time I never saw her except at meals, and we spoke but little. I concluded, at length, that I must have offended her in something: and, accordingly, I said to her one evening:

"'Miss Harriet, why is it that you do not act toward me as formerly? What have I done to displease you? You are causing me much pain!'

"She responded, in an angry tone, in a manner altogether sui generis:

"'I am always with you the same as formerly. It is not true, not true,' and she ran upstairs and shut herself up in her room.

"At times she would look upon me with strange eyes. Since that time I have often said to myself that those condemned to death must look thus when informed that their last day has come. In her eye there lurked a species of folly, a folly at once mysterious and violent--even more, a fever, an exasperated desire, impatient, at once incapable of being realized and unrealizable!

"Nay, it seemed to me that there was also going on within her a combat, in which her heart struggled against an unknown force that she wished to overcome--perhaps, even, something else. But what could I know? What could I know?"

III.

"This was indeed a singular revelation.

"For some time I had commenced to work, as soon as daylight appeared, on a picture, the subject of which was as follows:

"A deep ravine, steep banks dominated by two declivities, lined with brambles and long rows of trees, hidden, drowned in milky vapor, clad in that misty robe which sometimes floats over valleys at break of day. At the extreme end of that thick and transparent fog, you see coming, or rather already come, a human couple, a stripling and a maiden embraced, interlaced, she, with head leaning on him, he; inclined toward hers and lip to lip.

"A ray of the sun, glistening through the branches, has traversed the fog of dawn and illuminated it with a rosy reflection, just behind the rustic lovers, whose vague shadows are reflected on it in clear silver. It was well done, yes, indeed, well done.

"I was working on the declivity which led to the Val d'Etretat. This particular morning, I had, by chance, the sort of floating vapor which was necessary for my purpose. Suddenly, an object appeared in front of me, a kind of phantom; it was Miss Harriet. On seeing me, she took to flight. But I called after her saying: 'Come here, come here, Mademoiselle, I have a nice little picture for you.'

"She came forward, though with seeming reluctance. I handed her my sketch. She said nothing, but stood for a long time motionless, looking at it. Suddenly she burst into tears. She wept spasmodically, like men who have been struggling hard against shedding tears, but who can do so no longer, and abandon themselves to grief, though unwillingly. I got up, trembling, moved myself by the sight of a sorrow I did not comprehend, and I took her by the hand with a gesture of brusque affection, a true French impulse which impels one quicker than one thinks.

"She let her hands rest in mine for a few seconds, and I felt them quiver, as if her whole nervous system was twisting and turning. Then she withdrew her hands abruptly, or, rather, tore them out of mine.

"I recognized that shiver as soon as I had felt it: I was deceived in nothing. Ah! the love shudder of a woman, whether she is fifteen or fifty years of age, whether she is one of the people or one of the monde, goes so straight to my heart that I never had any difficulty in understanding it!

"Her whole frail being trembled, vibrated, yielded. I knew it. She walked away before I had time to say a word, leaving me as surprised as if I had witnessed a miracle, and as troubled as if I had committed a crime.

"I did not go in to breakfast. I took a walk on the banks of the Falaise, feeling that I could just as soon weep as laugh, looking on the adventure as both comic and deplorable, and my position as ridiculous, fain to believe that I had lost my head.

"I asked myself what I ought to do. I debated whether I ought not to take my leave of the place and almost immediately my resolution was formed.

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