SECTION II.. _examination of the Ancient Idolatry._

Examination of the Ancient Idolatry.

From the time of Charles I., the Catholic religion was declared idolatrous in England. All the Presbyterians are persuaded that the Catholics adore bread, which they eat, and figures, which are the work of their sculptors and painters. With that which one part of Europe reproaches the Catholics, they themselves reproach the Gentiles.

We are surprised at the prodigious number of declamations uttered in all times against the idolatry of the Romans and Greeks; and we are afterwards still more surprised when we see that they were not idolaters.

They had some temples more privileged than others. The great Diana of Ephesus had more reputation than a village Diana. There were more miracles performed in the temple of Æsculapius at Epidaurus, than in any other of his temples. The statue of the Olympian Jupiter attracted more offerings than that of the Paphlagonian Jupiter. But to oppose the customs of a true religion to those of a false one, have we not for several ages had more devotion to certain altars than to others?

Has not Our Lady of Loretto been preferred to Our Lady of Neiges, to that of Ardens, of Hall, etc.? That is not saying there is more virtue in a statue at Loretto than in a statue of the village of Hall, but we have felt more devotion to the one than to the other; we have believed that she whom we invoked, at the feet of her statues, would condescend, from the height of heaven, to diffuse more favors and to work more miracles in Loretto than in Hall. This multiplicity of images of the same person also proves that it is the images that we revere, and that the worship relates to the person who is represented; for it is not possible that every image can be the same thing. There are a thousand images of St. Francis, which have no resemblance to him, and which do not resemble one another; and all indicate a single Saint Francis, invoked, on the day of his feast, by those who are devoted to this saint.

It was precisely the same with the pagans, who supposed the existence only of a single divinity, a single Apollo, and not as many Apollos and Dianas as they had temples and statues. It is therefore proved, as much as history can prove anything, that the ancients believed not the statue to be a divinity; that worship was not paid to this statue or image, and consequently that they were not idolaters. It is for us to ascertain how far the imputation has been a mere pretext to accuse them of idolatry.

A gross and superstitious populace who reason not, and who know neither how to doubt, deny, or believe; who visit the temples out of idleness, and because the lowly are there equal to the great; who make their contributions because it is the custom; who speak continually of miracles without examining any of them; and who are very little in point of intellect beyond the brutes whom they sacrifice--such a people, I repeat, in the sight of the great Diana, or of Jupiter the Thunderer, may well be seized with a religious horror, and adore, without consciousness, the statue itself. This is what happens now and then, in our own churches, to our ignorant peasantry, who, however, are informed that it is the blessed mortals received into heaven whose intercession they solicit, and not that of images of wood and stone.

The Greeks and Romans augment the number of their gods by their apotheoses. The Greeks deified conquerors like Bacchus, Hercules, and Perseus. Rome devoted altars to her emperors. Our apotheoses are of a different kind; we have infinitely more saints than they have secondary gods, but we pay respect neither to rank nor to conquest. We consecrate temples to the simply virtuous, who would have been unknown on earth if they had not been placed in heaven. The apotheoses of the ancients were the effect of flattery, ours are produced by a respect for virtue.

Cicero, in his philosophical works, only allows of a suspicion that the people may mistake the statues of the gods and confound them with the gods themselves. His interlocutors attack the established religion, but none of them think of accusing the Romans of taking marble and brass for divinities. Lucretius accuses no person of this stupidity, although he reproaches the superstitious of every class. This opinion, therefore, has never existed; there never have been idolaters.

Horace causes an image of Priapus to speak, and makes him say: "I was once the trunk of a fig tree, and a carpenter being doubtful whether he should make of me a god or a bench, at length determined to make me a divinity." What are we to gather from this pleasantry? Priapus was one of the subaltern divinities, and a subject of raillery for the wits, and this pleasantry is a tolerable proof that a figure placed in the garden to frighten away the birds could not be very profoundly worshipped.

Dacier, giving way to the spirit of a commentator, observes that Baruch predicted this adventure. "They became what the workmen chose to make them:" but might not this be observed of all statues? Had Baruch a visionary anticipation of the "Satires of Horace"?

A block of marble may as well be hewn into a cistern, as into a figure of Alexander, Jupiter, or any being still more respectable. The matter which composed the cherubim of the Holy of Holies might have been equally appropriated to the vilest functions. Is a throne or altar the less revered because it might have been formed into a kitchen table?

Dacier, instead of concluding that the Romans adored the statue of Priapus, and that Baruch predicted it, should have perceived that the Romans laughed at it. Consult all the authors who speak of the statues of the gods, you will not find one of them allude to idolatry; their testimony amounts to the express contrary. "It is not the workman," says Martial, "who makes the gods, but he who prays to them."

Qui finxit sacros auro vel marmore vultus Non facit ille deos, qui rogat ille facit.

"It is Jove whom we adore in the image of Jove," writes Ovid: "Colitur pro Jove, forma Jovis."

"The gods inhabit our minds and bosoms," observes Statius, "and not images in the form of them:"

Nulla autem effigies, nulli commissa metallo. Forma Dei, mentes habitare et pectora gaudet.

Lucan, too, calls the universe the abode and empire of God: "Estne Dei, sedes, nisi terra, et pontus, et aer?" A volume might be filled with passages asserting idols to be images alone.

There remains but the case in which statues became oracles; notions that might have led to an opinion that there was something divine about them. The predominant sentiment, however, was that the gods had chosen to visit certain altars and images, in order to give audience to mortals, and to reply to them. We read in Homer and in the chorus of the Greek tragedies, of prayers to Apollo, who delivered his responses on the mountains in such a temple, or such a town. There is not, in all antiquity, the least trace of a prayer addressed to a statue; and if it was believed that the divine spirit preferred certain temples and images, as he preferred certain men, it was simply an error in application. How many miraculous images have we? The ancients only boasted of possessing what we possess, and if we are not idolaters for using images, by what correct principle can we term them so?

Those who profess magic, and who either believe, or affect to believe it, a science, pretend to possess the secret of making the gods descend into their statues, not indeed, the superior gods, but the secondary gods or genii. This is what Hermes Trismegistus calls "making" gods--a doctrine which is controverted by St. Augustine in his "City of God." But even this clearly shows that the images were not thought to possess anything divine, since it required a magician to animate them, and it happened very rarely that a magician was successful in these sublime endeavors.

In a word, the images of the gods were not gods. Jupiter, and not his statue, launched his thunderbolts; it was not the statue of Neptune which stirred up tempests, nor that of Apollo which bestowed light. The Greeks and the Romans were Gentiles and Polytheists, but not idolaters.

We lavished this reproach upon them when we had neither statues nor temples, and have continued the injustice even after having employed painting and sculpture to honor and represent our truths, precisely in the same manner in which those we reproach employed them to honor and personify their fiction.