SECTION III.

It would appear that a man must be supposed to have lost his senses before he can deny that stomachs are made for digestion, eyes to see, and ears to hear.

On the other hand, a man must have a singular partiality for final causes, to assert that stone was made for building houses, and that silkworms are produced in China that we may wear satins in Europe.

But, it is urged, if God has evidently done one thing by design, he has then done all things by design. It is ridiculous to admit Providence in the one case and to deny it in the others. Everything that is done was foreseen, was arranged. There is no arrangement without an object, no effect without a cause; all, therefore, is equally the result, the product of the final cause; it is, therefore, as correct to say that noses were made to bear spectacles, and fingers to be adorned with rings, as to say that the ears were formed to hear sounds, the eyes to receive light.

All that this objection amounts to, in my opinion, is that everything is the result, nearer or more remote, of a general final cause; that everything is the consequence of eternal laws. When the effects are invariably the same in all times and places, and when these uniform effects are independent of the beings to which they attach, then there is visibly a final cause.

All animals have eyes and see; all have ears and hear; all have mouths with which they eat; stomachs, or something similar, by which they digest their food; all have suitable means for expelling the fæces; all have the organs requisite for the continuation of their species; and these natural gifts perform their regular course and process without any application or intermixture of art. Here are final causes clearly established; and to deny a truth so universal would be a perversion of the faculty of reason.

But stones, in all times and places, do not constitute the materials of buildings. All noses do not bear spectacles; all fingers do not carry a ring; all legs are not covered with silk stockings. A silkworm, therefore, is not made to cover my legs, exactly as your mouth is made for eating, and another part of your person for the "garderobe." There are, therefore, we see, immediate effects produced from final causes, and effects of a very numerous description, which are remote productions from those causes.

Everything belonging to nature is uniform, immutable, and the immediate work of its author. It is he who has established the laws by which the moon contributes three-fourths to the cause of the flux and reflux of the ocean, and the sun the remaining fourth. It is he who has given a rotatory motion to the sun, in consequence of which that orb communicates its rays of light in the short space of seven minutes and a half to the eyes of men, crocodiles, and cats.

But if, after a course of ages, we started the inventions of shears and spits, to clip the wool of sheep with the one, and with the other to roast in order to eat them, what else can be inferred from such circumstances, but that God formed us in such a manner that, at some time or other, we could not avoid becoming ingenious and carnivorous?

Sheep, undoubtedly, were not made expressly to be roasted and eaten, since many nations abstain from such food with horror. Mankind are not created essentially to massacre one another, since the Brahmins, and the respectable primitives called Quakers, kill no one. But the clay out of which we are kneaded frequently produces massacres, as it produces calumnies, vanities, persecutions, and impertinences. It is not precisely that the formation of man is the final cause of our madnesses and follies, for a final cause is universal, and invariable in every age and place; but the horrors and absurdities of the human race are not at all the less included in the eternal order of things. When we thresh our corn, the flail is the final cause of the separation of the grain. But if that flail, while threshing my grain, crushes to death a thousand insects, that occurs not by an express and determinate act of my will, nor, on the other hand, is it by mere chance; the insects were, on this occasion, actually under my flail, and could not but be there.

It is a consequence of the nature of things that a man should be ambitious; that he should enroll and discipline a number of other men; that he should be a conqueror, or that he should be defeated; but it can never be said that the man was created by God to be killed in war.

The organs with which nature has supplied us cannot always be final causes in action. The eyes which are bestowed for seeing are not constantly open. Every sense has its season for repose. There are some senses that are even made no use of. An imbecile and wretched female, for example, shut up in a cloister at the age of fourteen years, mars one of the final causes of her existence; but the cause, nevertheless, equally exists, and whenever it is free it will operate.

FINESSE, FINENESS, ETC.

Of the Different Significations of the Word.

Fineness either in its proper or its figurative sense does not signify either light, slender, fine, or of a rare thin texture; this word expresses something delicate and finished. Light cloth, soft linen, thin lace, or slender galloon, are not always fine.

This word has a relation to the verb "to finish," whence come the finishings of art; thus, we say, the finishings of Vanderwerff's pencil or of Mieris; we say, a fine horse, fine gold, a fine diamond. A fine horse is opposed to a clumsy one; the fine diamond to a false one; fine or refined gold to gold mixed with alloy.

Fineness is generally applied to delicate things and lightness of manufacture. Although we say a fine horse, we seldom say, "the fineness of a horse." We speak of the fineness of hair, lace, or stuff. When by this word we should express the fault or wrong use of anything, we add the adverb "too"; as--This thread is broken, it was too fine; this stuff is too fine for the season.

Fineness or finesse, in a figurative sense, applies to conduct, speech, and works of mind. In conduct, finesse always expresses, as in the arts, something delicate or subtile; it may sometimes exist without ability, but it is very rarely unaccompanied by a little deception; politics admit it, and society reproves it.

Finesse is not exactly subtlety; we draw a person into a snare with finesse; we escape from it with subtlety. We act with finesse, and we play a subtle trick. Distrust is inspired by an unsparing use of finesse; yet we almost always deceive ourselves if we too generally suspect it.

Finesse, in works of wit, as in conversation, consists in the art of not expressing a thought clearly, but leaving it so as to be easily perceived. It is an enigma to which people of sense readily find the solution.

A chancellor one day offering his protection to parliament, the first president turning towards the assembly, said: "Gentlemen, thank the chancellor; he has given us more than we demanded of him"--a very witty reproof.

Finesse, in conversation and writing, differs from delicacy; the first applies equally to piquant and agreeable things, even to blame and praise; and still more to indecencies, over which a veil is drawn, through which we cannot penetrate without a blush. Bold things may be said with finesse.

Delicacy expresses soft and agreeable sentiments and ingenious praise; thus finesse belongs more to epigram, and delicacy to madrigal. It is delicacy which enters into a lover's jealousies, and not finesse.

The praises given to Louis XIV. by Despréaux are not always equally delicate; satires are not always sufficiently ingenious in the way of finesse. When Iphigenia, in Racine, has received from her father the order never to see Achilles more, she cries: "Dieux plus doux, vous n'aviez demandé que ma vie!"--"More gentle gods, you only ask my life!" The true character of this partakes rather of delicacy than of finesse.

FIRE.