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Part 64

A London Life, and Other Tales · Henry James — chapter 64 of 67 · ~1,498 words · public domain

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During the intermission, in the middle of the concert, people changed places more or less and circulated, so that, walking about at this time, he came upon the Marquise, who, in her sympathetic, demonstrative way, appeared to be on the point of clasping her hostess in her arms. 'Décidément, ma bonne, il n'y a que vous! C'est une perfection----' he heard her say. To which, gratified but unelated, Cousin Maria replied, according to her simple, sociable wont: 'Well, it does seem quite a successful occasion. If it will only keep on to the end!'

Raymond, wandering far, found himself in a world that was mainly quite new to him, and explained his ignorance of it by reflecting that the people were probably celebrated: so many of them had decorations and stars and a quiet of manner that could only be accounted for by renown. There were plenty of Americans with no badge but a certain fine negativeness, and they were quiet for a reason which by this time had become very familiar to Raymond: he had heard it so often mentioned that his country-people were supremely 'adaptable.' He tried to get hold of Dora, but he saw that her mother had arranged things beautifully to keep her occupied with other people; so at least he interpreted the fact--after all very natural--that she had half a dozen fluttered young girls on her mind, whom she was providing with programmes, seats, ices, occasional murmured remarks and general support and protection. When the concert was over she supplied them with further entertainment in the form of several young men who had pliable backs and flashing breastpins and whom she inarticulately introduced to them, which gave her still more to do, as after this serious step she had to stay and watch all parties. It was strange to Raymond to see her transformed by her mother into a precocious duenna. Him she introduced to no young girl, and he knew not whether to regard this as cold neglect or as high consideration. If he had liked he might have taken it as a sweet intimation that she knew he couldn't care for any girl but her.

On the whole he was glad, because it left him free--free to get hold of her mother, which by this time he had boldly determined to do. The conception was high, inasmuch as Cousin Maria's attention was obviously required by the ambassadors and other grandees who had flocked to do her homage. Nevertheless, while supper was going on (he wanted none, and neither apparently did she), he collared her, as he phrased it to himself, in just the right place--on the threshold of the conservatory. She was flanked on either side with a foreigner of distinction, but he didn't care for her foreigners now. Besides, a conservatory was meant only for couples; it was a sign of her comprehensive sociability that she should have been rambling among the palms and orchids with a double escort. Her friends would wish to quit her but would not wish to appear to give way to each other; and Raymond felt that he was relieving them both (though he didn't care) when he asked her to be so good as to give him a few minutes' conversation. He made her go back with him into the conservatory: it was the only thing he had ever made her do, or probably ever would. She began to talk about the great Gregorini--how it had been too sweet of her to repeat one of her songs, when it had really been understood in advance that repetitions were not expected. Raymond had no interest at present in the great Gregorini. He asked Cousin Maria vehemently if she remembered telling him in New York--that night at the hotel, five years before--that when he should have followed them to Paris he would be free to address her on the subject of Dora. She had given him a promise that she would listen to him in this case, and now he must keep her up to the mark. It was impossible to see her alone, but, at whatever inconvenience to herself, he must insist on her giving him his opportunity.

'About Dora, Cousin Raymond?' she asked, blandly and kindly--almost as if she didn't exactly know who Dora was.

'Surely you haven't forgotten what passed between us the evening before you left America. I was in love with her then and I have been in love with her ever since. I told you so then, and you stopped me off, but you gave me leave to make another appeal to you in the future. I make it now--this is the only way I have--and I think you ought to listen to it. Five years have passed, and I love her more than ever. I have behaved like a saint in the interval: I haven't attempted to practise upon her without your knowledge.'

'I am so glad; but she would have let me know,' said Cousin Maria, looking round the conservatory as if to see if the plants were all there.

'No doubt. I don't know what you do to her. But I trust that to-day your opposition falls--in face of the proof that we have given you of mutual fidelity.'

'Fidelity?' Cousin Maria repeated, smiling.

'Surely--unless you mean to imply that Dora has given me up. I have reason to believe that she hasn't.'

'I think she will like better to remain just as she is.'

'Just as she is?'

'I mean, not to make a choice,' Cousin Maria went on, smiling.

Raymond hesitated a moment. 'Do you mean that you have tried to make her make one?'

At this the good lady broke into a laugh. 'My dear Raymond, how little you must think I know my child!'

'Perhaps, if you haven't tried to make her, you have tried to prevent her. Haven't you told her I am unsuccessful, I am poor?'

She stopped him, laying her hand with unaffected solicitude on his arm. 'Are you poor, my dear? I should be so sorry!'

'Never mind; I can support a wife,' said the young man.

'It wouldn't matter, because I am happy to say that Dora has something of her own,' Cousin Maria went on, with her imperturbable candour. 'Her father thought that was the best way to arrange it. I had quite forgotten my opposition, as you call it; that was so long ago. Why, she was only a little girl. Wasn't that the ground I took? Well, dear, she's older now, and you can say anything to her you like. But I do think she wants to stay----' And she looked up at him, cheerily.

'Wants to stay?'

'With Effie and Tishy.'

'Ah, Cousin Maria,' the young man exclaimed, 'you are modest about yourself!'

'Well, we are all together. Now is that all? I must see if there is enough champagne. Certainly--you can say to her what you like. But twenty years hence she will be just as she is to-day; that's how I see her.'

'Lord, what is it you do to her?' Raymond groaned, as he accompanied his hostess back to the crowded rooms.

He knew exactly what she would have replied if she had been a Frenchwoman; she would have said to him, triumphantly, overwhelmingly: 'Que voulez-vous? Elle adore sa mère!' She was, however, only a Californian, unacquainted with the language of epigram, and her answer consisted simply of the words: 'I am sorry you have ideas that make you unhappy. I guess you are the only person here who hasn't enjoyed himself to-night.'

Raymond repeated to himself, gloomily, for the rest of the evening, 'Elle adore sa mère--elle adore sa mère!' He remained very late, and when but twenty people were left and he had observed that the Marquise, passing her hand into Mrs. Temperly's arm, led her aside as if for some important confabulation (some new light doubtless on what might be hoped for Effie), he persuaded Dora to let the rest of the guests depart in peace (apparently her mother had told her to look out for them to the very last), and come with him into some quiet corner. They found an empty sofa in the outlasting lamp-light, and there the girl sat down with him. Evidently she knew what he was going to say, or rather she thought she did; for in fact, after a little, after he had told her that he had spoken to her mother and she had told him he might speak to her, he said things that she could not very well have expected.

'Is it true that you wish to remain with Effie and Tishy? That's what your mother calls it when she means that you will give me up.'

'How can I give you up?' the girl demanded. 'Why can't we go on being friends, as I asked you the evening you dined here?'

'What do you mean by friends?'

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