'The gate was open, sir--the servants' gate. The butcher's cart was there.'
'The butcher ought to have closed it,' said Lyon.
'Then you don't require me, sir?' the lady continued.
Lyon went on with his painting; he had given her a sharp look at first, but now his eyes lighted on her no more. The Colonel, however, examined her with interest. She was a person of whom you could scarcely say whether being young she looked old or old she looked young; she had at any rate evidently rounded several of the corners of life and had a face that was rosy but that somehow failed to suggest freshness. Nevertheless she was pretty and even looked as if at one time she might have sat for the complexion. She wore a hat with many feathers, a dress with many bugles, long black gloves, encircled with silver bracelets, and very bad shoes. There was something about her that was not exactly of the governess out of place nor completely of the actress seeking an engagement, but that savoured of an interrupted profession or even of a blighted career. She was rather soiled and tarnished, and after she had been in the room a few moments the air, or at any rate the nostril, became acquainted with a certain alcoholic waft. She was unpractised in the h, and when Lyon at last thanked her and said he didn't want her--he was doing nothing for which she could be useful--she replied with rather a wounded manner, 'Well, you know you 'ave 'ad me!'
'I don't remember you,' Lyon answered.
'Well, I daresay the people that saw your pictures do! I haven't much time, but I thought I would look in.'
'I am much obliged to you.'
'If ever you should require me, if you just send me a postcard----'
'I never send postcards,' said Lyon.
'Oh well, I should value a private letter! Anything to Miss Geraldine, Mortimer Terrace Mews, Notting 'ill----'
'Very good; I'll remember,' said Lyon.
Miss Geraldine lingered. 'I thought I'd just stop, on the chance.'
'I'm afraid I can't hold out hopes, I'm so busy with portraits,' Lyon continued.
'Yes; I see you are. I wish I was in the gentleman's place.'
'I'm afraid in that case it wouldn't look like me,' said the Colonel, laughing.
'Oh, of course it couldn't compare--it wouldn't be so 'andsome! But I do hate them portraits!' Miss Geraldine declared. 'It's so much bread out of our mouths.'
'Well, there are many who can't paint them,' Lyon suggested, comfortingly.
'Oh, I've sat to the very first--and only to the first! There's many that couldn't do anything without me.'
'I'm glad you're in such demand.' Lyon was beginning to be bored and he added that he wouldn't detain her--he would send for her in case of need.
'Very well; remember it's the Mews--more's the pity! You don't sit so well as us!' Miss Geraldine pursued, looking at the Colonel. 'If you should require me, sir----'
'You put him out; you embarrass him,' said Lyon.
'Embarrass him, oh gracious!' the visitor cried, with a laugh which diffused a fragrance. 'Perhaps you send postcards, eh?' she went on to the Colonel; and then she retreated with a wavering step. She passed out into the garden as she had come.
'How very dreadful--she's drunk!' said Lyon. He was painting hard, but he looked up, checking himself: Miss Geraldine, in the open doorway, had thrust back her head.
'Yes, I do hate it--that sort of thing!' she cried with an explosion of mirth which confirmed Lyon's declaration. And then she disappeared.
'What sort of thing--what does she mean?' the Colonel asked.
'Oh, my painting you, when I might be painting her.'
'And have you ever painted her?'
'Never in the world; I have never seen her. She is quite mistaken.'
A London Life, and Other Tales · The Wunder Library — complete classics, free to read, with narration.