Part 54

‘Well, I suppose it will not be a breach of your precious neutrality if you get me invited to see the castle?’

‘O no!’ she said brightly; ‘I don’t mind doing such a thing as that. Why not come with me tomorrow? I will say I am going to bring you. There will be no trouble at all.’

De Stancy readily agreed. The effect upon him of the information now acquired was to intensify his ardour tenfold, the stimulus being due to a perception that Somerset, with a little more knowledge, would hold a card which could be played with disastrous effect against himself--his relationship to Dare. Its disclosure to a lady of such Puritan antecedents as Paula’s, would probably mean her immediate severance from himself as an unclean thing.

‘Is Miss Power a severe pietist, or precisian; or is she a compromising lady?’ he asked abruptly.

‘She is severe and uncompromising--if you mean in her judgments on morals,’ said Charlotte, not quite hearing. The remark was peculiarly apposite, and De Stancy was silent.

He spent some following hours in a close study of the castle history, which till now had unutterably bored him. More particularly did he dwell over documents and notes which referred to the pedigree of his own family. He wrote out the names of all--and they were many--who had been born within those domineering walls since their first erection; of those among them who had been brought thither by marriage with the owner, and of stranger knights and gentlemen who had entered the castle by marriage with its mistress. He refreshed his memory on the strange loves and hates that had arisen in the course of the family history; on memorable attacks, and the dates of the same, the most memorable among them being the occasion on which the party represented by Paula battered down the castle walls that she was now about to mend, and, as he hoped, return in their original intact shape to the family dispossessed, by marriage with himself, its living representative.

In Sir William’s villa were small engravings after many of the portraits in the castle galleries, some of them hanging in the dining-room in plain oak and maple frames, and others preserved in portfolios. De Stancy spent much of his time over these, and in getting up the romances of their originals’ lives from memoirs and other records, all which stories were as great novelties to him as they could possibly be to any stranger. Most interesting to him was the life of an Edward De Stancy, who had lived just before the Civil Wars, and to whom Captain De Stancy bore a very traceable likeness. This ancestor had a mole on his cheek, black and distinct as a fly in cream; and as in the case of the first Lord Amherst’s wart, and Bennet Earl of Arlington’s nose-scar, the painter had faithfully reproduced the defect on canvas. It so happened that the captain had a mole, though not exactly on the same spot of his face; and this made the resemblance still greater.

He took infinite trouble with his dress that day, showing an amount of anxiety on the matter which for him was quite abnormal. At last, when fully equipped, he set out with his sister to make the call proposed. Charlotte was rather unhappy at sight of her brother’s earnest attempt to make an impression on Paula; but she could say nothing against it, and they proceeded on their way.

It was the darkest of November weather, when the days are so short that morning seems to join with evening without the intervention of noon. The sky was lined with low cloud, within whose dense substance tempests were slowly fermenting for the coming days. Even now a windy turbulence troubled the half-naked boughs, and a lonely leaf would occasionally spin downwards to rejoin on the grass the scathed multitude of its comrades which had preceded it in its fall. The river by the pavilion, in the summer so clear and purling, now slid onwards brown and thick and silent, and enlarged to double size.

II.

Meanwhile Paula was alone. Of anyone else it would have been said that she must be finding the afternoon rather dreary in the quaint halls not of her forefathers: but of Miss Power it was unsafe to predicate so surely. She walked from room to room in a black velvet dress which gave decision to her outline without depriving it of softness. She occasionally clasped her hands behind her head and looked out of a window; but she more particularly bent her footsteps up and down the Long Gallery, where she had caused a large fire of logs to be kindled, in her endeavour to extend cheerfulness somewhat beyond the precincts of the sitting-rooms.

The fire glanced up on Paula, and Paula glanced down at the fire, and at the gnarled beech fuel, and at the wood-lice which ran out from beneath the bark to the extremity of the logs as the heat approached them. The low-down ruddy light spread over the dark floor like the setting sun over a moor, fluttering on the grotesque countenances of the bright andirons, and touching all the furniture on the underside.

She now and then crossed to one of the deep embrasures of the windows, to decipher some sentence from a letter she held in her hand. The daylight would have been more than sufficient for any bystander to discern that the capitals in that letter were of the peculiar semi-gothic type affected at the time by Somerset and other young architects of his school in their epistolary correspondence. She was very possibly thinking of him, even when not reading his letter, for the expression of softness with which she perused the page was more or less with her when she appeared to examine other things.

She walked about for a little time longer, then put away the letter, looked at the clock, and thence returned to the windows, straining her eyes over the landscape without, as she murmured, ‘I wish Charlotte was not so long coming!’

As Charlotte continued to keep away, Paula became less reasonable in her desires, and proceeded to wish that Somerset would arrive; then that anybody would come; then, walking towards the portraits on the wall, she flippantly asked one of those cavaliers to oblige her fancy for company by stepping down from his frame. The temerity of the request led her to prudently withdraw it almost as soon as conceived: old paintings had been said to play queer tricks in extreme cases, and the shadows this afternoon were funereal enough for anything in the shape of revenge on an intruder who embodied the antagonistic modern spirit to such an extent as she. However, Paula still stood before the picture which had attracted her; and this, by a coincidence common enough in fact, though scarcely credited in chronicles, happened to be that one of the seventeenth-century portraits of which De Stancy had studied the engraved copy at Myrtle Villa the same morning.

Whilst she remained before the picture, wondering her favourite wonder, how would she feel if this and its accompanying canvases were pictures of her own ancestors, she was surprised by a light footstep upon the carpet which covered part of the room, and turning quickly she beheld the smiling little figure of Charlotte De Stancy.

‘What has made you so late?’ said Paula. ‘You are come to stay, of course?’

Charlotte said she had come to stay. ‘But I have brought somebody with me!’

‘Ah--whom?’

‘My brother happened to be at home, and I have brought him.’

Miss De Stancy’s brother had been so continuously absent from home in India, or elsewhere, so little spoken of, and, when spoken of, so truly though unconsciously represented as one whose interests lay wholly outside this antiquated neighbourhood, that to Paula he had been a mere nebulosity whom she had never distinctly outlined. To have him thus cohere into substance at a moment’s notice lent him the novelty of a new creation.

‘Is he in the drawing-room?’ said Paula in a low voice.

‘No, he is here. He would follow me. I hope you will forgive him.’

And then Paula saw emerge into the red beams of the dancing fire, from behind a half-drawn hanging which screened the door, the military gentleman whose acquaintance the reader has already made.

‘You know the house, doubtless, Captain De Stancy?’ said Paula, somewhat shyly, when he had been presented to her.

‘I have never seen the inside since I was three weeks old,’ replied the artillery officer gracefully; ‘and hence my recollections of it are not remarkably distinct. A year or two before I was born the entail was cut off by my father and grandfather; so that I saw the venerable place only to lose it; at least, I believe that’s the truth of the case. But my knowledge of the transaction is not profound, and it is a delicate point on which to question one’s father.’

Paula assented, and looked at the interesting and noble figure of the man whose parents had seemingly righted themselves at the expense of wronging him.

‘The pictures and furniture were sold about the same time, I think?’ said Charlotte.