Part 106

The momentum of a practical inquiry took him through that ancient borough without leaving him much leisure for those reveries which had yesterday lent an unutterable sadness to every object there. It was just before noon that he started for the castle, intending to arrive at a time of the morning when, as he knew from experience, he could speak to Charlotte without difficulty. The rising ground soon revealed the old towers to him, and, jutting out behind them, the scaffoldings for the new wing.

While halting here on the knoll in some doubt about his movements he beheld a man coming along the road, and was soon confronted by his former competitor, Havill. The first instinct of each was to pass with a nod, but a second instinct for intercourse was sufficient to bring them to a halt. After a few superficial words had been spoken Somerset said, ‘You have succeeded me.’

‘I have,’ said Havill; ‘but little to my advantage. I have just heard that my commission is to extend no further than roofing in the wing that you began, and had I known that before, I would have seen the castle fall flat as Jericho before I would have accepted the superintendence. But I know who I have to thank for that--De Stancy.’

Somerset still looked towards the distant battlements. On the scaffolding, among the white-jacketed workmen, he could discern one figure in a dark suit.

‘You have a clerk of the works, I see,’ he observed.

‘Nominally I have, but practically I haven’t.’

‘Then why do you keep him?’

‘I can’t help myself. He is Mr. Dare; and having been recommended by a higher power than I, there he must stay in spite of me.’

‘Who recommended him?’

‘The same--De Stancy.’

‘It is very odd,’ murmured Somerset, ‘but that young man is the object of my visit.’

‘You had better leave him alone,’ said Havill drily.

Somerset asked why.

‘Since I call no man master over that way I will inform you.’ Havill then related in splenetic tones, to which Somerset did not care to listen till the story began to advance itself, how he had passed the night with Dare at the inn, and the incidents of that night, relating how he had seen some letters on the young man’s breast which long had puzzled him. ‘They were an E, a T, an N, and a C. I thought over them long, till it eventually occurred to me that the word when filled out was “De Stancy,” and that kinship explains the offensive and defensive alliance between them.’

‘But, good heavens, man!’ said Somerset, more and more disturbed. ‘Does she know of it?’

‘You may depend she does not yet; but she will soon enough. Hark--there it is!’ The notes of the castle clock were heard striking noon. ‘Then it is all over.’

‘What?--not their marriage!’

‘Yes. Didn’t you know it was the wedding day? They were to be at the church at half-past eleven. I should have waited to see her go, but it was no sight to hinder business for, as she was only going to drive over in her brougham with Miss De Stancy.’

‘My errand has failed!’ said Somerset, turning on his heel. ‘I’ll walk back to the town with you.’

However he did not walk far with Havill; society was too much at that moment. As soon as opportunity offered he branched from the road by a path, and avoiding the town went by railway to Budmouth, whence he resumed, by the night steamer, his journey to Normandy.

XIII.

To return to Charlotte De Stancy. When the train had borne Somerset from her side, and she had regained her self-possession, she became conscious of the true proportions of the fact he had asserted. And, further, if the telegram had not been his, why should the photographic distortion be trusted as a phase of his existence? But after a while it seemed so improbable to her that God’s sun should bear false witness, that instead of doubting both evidences she was inclined to readmit the first. Still, upon the whole, she could not question for long the honesty of Somerset’s denial and if that message had indeed been sent by him, it must have been done while he was in another such an unhappy state as that exemplified by the portrait. The supposition reconciled all differences; and yet she could not but fight against it with all the strength of a generous affection.

All the afternoon her poor little head was busy on this perturbing question, till she inquired of herself whether after all it might not be possible for photographs to represent people as they had never been. Before rejecting the hypothesis she determined to have the word of a professor on the point, which would be better than all her surmises. Returning to Markton early, she told the coachman whom Paula had sent, to drive her to the shop of Mr. Ray, an obscure photographic artist in that town, instead of straight home.

Ray’s establishment consisted of two divisions, the respectable and the shabby. If, on entering the door, the visitor turned to the left, he found himself in a magazine of old clothes, old furniture, china, umbrellas, guns, fishing-rods, dirty fiddles, and split flutes. Entering the right-hand room, which had originally been that of an independent house, he was in an ordinary photographer’s and print-collector’s depository, to which a certain artistic solidity was imparted by a few oil paintings in the background. Charlotte made for the latter department, and when she was inside Mr. Ray appeared in person from the lumber-shop adjoining, which, despite its manginess, contributed by far the greater share to his income.

Charlotte put her question simply enough. The man did not answer her directly, but soon found that she meant no harm to him. He told her that such misrepresentations were quite possible, and that they embodied a form of humour which was getting more and more into vogue among certain facetious persons of society.

Charlotte was coming away when she asked, as on second thoughts, if he had any specimens of such work to show her.

‘None of my own preparation,’ said Mr. Ray, with unimpeachable probity of tone. ‘I consider them libellous myself. Still, I have one or two samples by me, which I keep merely as curiosities.--There’s one,’ he said, throwing out a portrait card from a drawer. ‘That represents the German Emperor in a violent passion: this one shows the Prime Minister out of his mind; this the Pope of Rome the worse for liquor.’

She inquired if he had any local specimens.