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A Florida Sketch-Book · Bradford Torrey — chapter 2 of 12 · ~4,453 words · public domain

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"Minorcan!" he broke out. "Spain and the island of Minorca are two places, ain't they?" I admitted meekly that they were.

"You are English, ain't you?" he went on. "You are English,--Yankee born,--ain't you?"

I owned it.

"Well, I'm Spanish. That ain't Minorcan. My grandfather was a ----, and commanded St. Augustine. He couldn't have done that if he had been Minorcan."

By this time he was quieting down a bit. His father remembered the Indian war. The son had heard him tell about it.

"Those were dangerous times," he remarked. "You couldn't have been standing out here in the woods then."

"There is no danger here now, is there?" said I.

"No, no, not now." But as he drove along he turned to say that he wasn't afraid of any thing; he wasn't that kind of a man. Then, with a final turn, he added, what I could not dispute, "A man's life is always in danger."

After he was gone, I regretted that I had offered no apology for my unintentionally offensive question; but I was so taken by surprise, and so much interested in the man as a specimen, that I quite forgot my manners till it was too late. One thing I learned: that it is not prudent, in these days, to judge a Southern man's blood, in either sense of the word, by his dress or occupation. This man had brought seven or eight miles a load of wood that might possibly be worth seventy-five cents (I questioned the owner of what looked like just such a load afterward, and found his asking price half a dollar), and for clothing had on a pair of trousers and a blue cotton shirt, the latter full of holes, through which the skin was visible; yet his father was a ---- and had "owned niggers."

A still more picturesque figure in this procession of wood-carters was a boy of perhaps ten or eleven. He rode his horse, and was barefooted and barelegged; but he had a cigarette in his mouth, and to each brown heel was fastened an enormous spur. Who was it that infected the world with the foolish and disastrous notion that work and play are two different things? And was it Emerson, or some other wise man, who said that a boy was the true philosopher?

When it came time to think of returning to St. Augustine, for dinner, I appreciated my cracker's friendly warning against losing my way; for though I had hardly so much as entered the woods, and had taken, as I thought, good heed to my steps, I was almost at once in a quandary as to my road. There was no occasion for worry,--with the sun out, and my general course perfectly plain; but here was a fork in the road, and whether to bear to the left or to the right was a simple matter of guess-work. I made the best guess I could, and guessed wrong, as was apparent after a while, when I found the road under deep water for several rods. I objected to wading, and there was no ready way of going round, since the oak and palmetto scrub crowded close up to the roadside, and just here was all but impenetrable. What was still more conclusive, the road was the wrong one, as the inundation proved, and, for aught I could tell, might carry me far out of my course. I turned back, therefore, under the midday sun, and by good luck a second attempt brought me out of the woods very near where I had entered them.

I visited this particular piece of country but once afterward, having in the mean time discovered a better place of the same sort along the railroad, in the direction of Palatka. There, on a Sunday morning, I heard my first pine-wood sparrow. Time and tune could hardly have been in truer accord. The hour was of the quietest, the strain was of the simplest, and the bird sang as if he were dreaming. For a long time I let him go on without attempting to make certain who he was. He seemed to be rather far off: if I waited his pleasure, he would perhaps move toward me; if I disturbed him, he would probably become silent. So I sat on the end of a sleeper and listened. It was not great music. It made me think of the swamp sparrow; and the swamp sparrow is far from being a great singer. A single prolonged, drawling note (in that respect unlike the swamp sparrow, of course), followed by a succession of softer and sweeter ones,--that was all, when I came to analyze it; but that is no fair description of what I heard. The quality of the song is not there; and it was the quality, the feeling, the soul of it, if I may say what I mean, that made it, in the true sense of a much-abused word, charming.

There could be little doubt that the bird was a pine-wood sparrow; but such things are not to be taken for granted. Once or twice, indeed, the thought of some unfamiliar warbler had crossed my mind. At last, therefore, as the singer still kept out of sight, I leaped the ditch and pushed into the scrub. Happily I had not far to go; he had been much nearer than I thought. A small bird flew up before me, and dropped almost immediately into a clump of palmetto. I edged toward the spot and waited. Then the song began again, this time directly in front of me, but still far-away-sounding and dreamy. I find that last word in my hasty note penciled at the time, and can think of no other that expresses the effect half so well. I looked and looked, and all at once there sat the bird on a palmetto leaf. Once again he sang, putting up his head. Then he dropped out of sight, and I heard nothing more. I had seen only his head and neck,--enough to show him a sparrow, and almost of necessity the pine-wood sparrow. No other strange member of the finch family was to be looked for in such a place.

On further acquaintance, let me say at once, Pucaea aestivalis proved to be a more versatile singer than the performances of my first bird would have led me to suppose. He varies his tune freely, but always within a pretty narrow compass; as is true, also, of the field sparrow, with whom, as I soon came to feel, he has not a little in common. It is in musical form only that he suggests the swamp sparrow. In tone and spirit, in the qualities of sweetness and expressiveness, he is nearly akin to Spizella pusilla. One does for the Southern pine barren what the other does for the Northern berry pasture. And this is high praise; for though in New England we have many singers more brilliant than the field sparrow, we have none that are sweeter, and few that in the long run give more pleasure to sensitive hearers.

I found the pine-wood sparrow afterward in New Smyrna, Port Orange, Sanford, and Tallahassee. So far as I could tell, it was always the same bird; but I shot no specimens, and speak with no authority. Living always in the pine lands, and haunting the dense undergrowth, it is heard a hundred times where it is seen once,--a point greatly in favor of its effectiveness as a musician. Mr. Brewster speaks of it as singing always from an elevated perch, while the birds that I saw in the act of song, a very limited number, were invariably perched low. One that I watched in New Smyrna (one of a small chorus, the others being invisible) sang for a quarter of an hour from a stake or stump which rose perhaps a foot above the dwarf palmetto. It was the same song that I had heard in St. Augustine; only the birds here were in a livelier mood, and sang out instead of sotto voce. The long introductory note sounded sometimes as if it were indrawn, and often, if not always, had a considerable burr in it. Once in a while the strain was caught up at the end and sung over again, after the manner of the field sparrow,--one of that bird's prettiest tricks. At other times the song was delivered with full voice, and then repeated almost under the singer's breath. This was done beautifully in the Port Orange flat-woods, the bird being almost at my feet. I had seen him a moment before, and saw him again half a minute later, but at that instant he was out of sight in the scrub, and seemingly on the ground. This feature of the song, one of its chief merits and its most striking peculiarity, is well described by Mr. Brewster. "Now," he says, "it has a full, bell-like ring that seems to fill the air around; next it is soft and low and inexpressibly tender; now it is clear again, but so modulated that the sound seems to come from a great distance."

Not many other birds, I think (I cannot recall any), habitually vary their song in this manner. Other birds sing almost inaudibly at times, especially in the autumnal season. Even the brown thrasher, whose ordinary performance, is so full-voiced, not to say boisterous, will sometimes soliloquize, or seem to soliloquize, in the faintest of undertones. The formless autumnal warble of the song sparrow is familiar to every one. And in this connection I remember, and am not likely ever to forget, a winter wren who favored me with what I thought the most bewitching bit of vocalism to which I had ever listened. He was in the bushes close at my side, in the Franconia Notch, and delivered his whole song, with all its customary length, intricacy, and speed, in a tone--a whisper, I may almost say--that ran along the very edge of silence. The unexpected proximity of a stranger may have had something to do with his conduct, as it often appears to have with the thrasher's; but, however that may be, the cases are not parallel with that of the pine-wood sparrow, inasmuch as the latter bird not merely sings under his breath on special occasions, whether on account of the nearness of a listener or for any other reason, but in his ordinary singing uses louder and softer tones interchangeably, almost exactly as human singers and players do; as if, in the practice of his art, he had learned to appreciate, consciously or unconsciously (and practice naturally goes before theory), the expressive value of what I believe is called musical dynamics.

I spent many half-days in the pine lands (how gladly now would I spend another!), but never got far into them. ("Into their depths," my pen was on the point of making me say; but that would have been a false note. The flat-woods have no "depths.") Whether I followed the railway,--in many respects a pretty satisfactory method,--or some roundabout, aimless carriage road, a mile or two was generally enough. The country offers no temptation to pedestrian feats, nor does the imagination find its account in going farther and farther. For the reader is not to think of the flat-woods as in the least resembling a Northern forest, which at every turn opens before the visitor and beckons him forward. Beyond and behind, and on either side, the pine-woods are ever the same. It is this monotony, by the bye, this utter absence of landmarks, that makes it so unsafe for the stranger to wander far from the beaten track. The sand is deep, the sun is hot; one place is as good as another. What use, then, to tire yourself? And so, unless the traveler is going somewhere, as I seldom was, he is continually stopping by the way. Now a shady spot entices him to put down his umbrella,--for there is a shady spot, here and there, even in a Florida pine-wood; or blossoms are to be plucked; or a butterfly, some gorgeous and nameless creature, brightens the wood as it passes; or a bird is singing; or an eagle is soaring far overhead, and must be watched out of sight; or a buzzard, with upturned wings, floats suspiciously near the wanderer, as if with sinister intent (buzzard shadows are a regular feature of the flat-wood landscape, just as cloud shadows are in a mountainous country); or a snake lies stretched out in the sun,--a "whip snake," perhaps, that frightens the unwary stroller by the amazing swiftness with which it runs away from him; or some strange invisible insect is making uncanny noises in the underbrush. One of my recollections of the railway woods at St. Augustine is of a cricket, or locust, or something else,--I never saw it,--that amused me often with a formless rattling or drumming sound. I could think of nothing but a boy's first lesson upon the bones, the rhythm of the beats was so comically mistimed and bungled.

One fine morning,--it was the 18th of February,--I had gone down the railroad a little farther than usual, attracted by the encouraging appearance of a swampy patch of rather large deciduous trees. Some of them, I remember, were red maples, already full of handsome, high-colored fruit. As I drew near, I heard indistinctly from among them what might have been the song of a black-throated green warbler, a bird that would have made a valued addition to my Florida list, especially at that early date. No sooner was the song repeated, however, than I saw that I had been deceived; it was something I had never heard before. But it certainly had much of the black-throated green's quality, and without question was the note of a warbler of some kind. What a shame if the bird should give me the slip! Meanwhile, it kept on singing at brief intervals, and was not so far away but that, with my glass, I should be well able to make it out, if only I could once get my eyes on it. That was the difficulty. Something stirred among the branches. Yes, a yellow-throated warbler (Dendroica dominica), a bird of which I had seen my first specimens, all of them silent, during the last eight days. Probably he was the singer. I hoped so, at any rate. That would be an ideal case of a beautiful bird with a song to match. I kept him under my glass, and presently the strain was repeated, but not by him. Then it ceased, and I was none the wiser. Perhaps I never should be. It was indeed a shame. Such a taking song; so simple, and yet so pretty, and so thoroughly distinctive. I wrote it down thus: tee-koi, tee-koo,--two couplets, the first syllable of each a little emphasized and dwelt upon, not drawled, and a little higher in pitch than its fellow. Perhaps it might be expressed thus:--

I cannot profess to be sure of that, however, nor have I unqualified confidence in the adequacy of musical notation, no matter how skillfully employed, to convey a truthful idea of any bird song.

The affair remained a mystery till, in Daytona, nine days afterward, the same notes were heard again, this time in lower trees that did not stand in deep water. Then it transpired that my mysterious warbler was not a warbler at all, but the Carolina chickadee. That was an outcome quite unexpected, although I now remembered that chickadees were in or near the St. Augustine swamp; and what was more to the purpose, I could now discern some relationship between the tee-koi, tee-koo (or, as I now wrote it, see-toi, see-too), and the familiar so-called phoebe whistle of the black-capped titmouse. The Southern bird, I am bound to acknowledge, is much the more accomplished singer of the two. Sometimes he repeats the second dissyllable, making six notes in all. At other times he breaks out with a characteristic volley of fine chickadee notes, and runs without a break into the see-toi, see-too, with a highly pleasing effect. Then if, on the top of this, he doubles the see-too, we have a really prolonged and elaborate musical effort, quite putting into the shade our New England bird's hear, hear me, sweet and welcome as that always is.

The Southern chickadee, it should be said, is not to be distinguished from its Northern relative--in the bush, I mean--except by its notes. It is slightly smaller, like Southern birds in general, but is practically identical in plumage. Apart from its song, what most impressed me was its scarcity. It was found, sooner or later, wherever I went, I believe, but always in surprisingly small numbers, and I saw only one nest. That was built in a roadside china-tree in Tallahassee, and contained young ones (April 17), as was clear from the conduct of its owners.

It must not be supposed that I left St. Augustine without another search for my unknown "warbler." The very next morning found me again at the swamp, where for at least an hour I sat and listened. I heard no tee-koi, tee-koo, but was rewarded twice over for my walk. In the first place, before reaching the swamp, I found the third of my flat-wood novelties, the red-cockaded woodpecker. As had happened with the nuthatch and the sparrow, I heard him before seeing him: first some notes, which by themselves would hardly have suggested a woodpecker origin, and then a noise of hammering. Taken together, the two sounds, left little doubt as to their author; and presently I saw him,--or rather them, for there were two birds. I learned nothing about them, either then or afterwards (I saw perhaps eight individuals during my ten weeks' visit), but it was worth something barely to see and hear them. Henceforth Dryobates borealis is a bird, and not merely a name. This, as I have said, was among the pines, before reaching the swamp. In the swamp itself, there suddenly appeared from somewhere, as if by magic (a dramatic entrance is not without its value, even out-of-doors), a less novel but far more impressive figure, a pileated woodpecker; a truly splendid fellow, with the scarlet cheek-patches. When I caught sight of him, he stood on one of the upper branches of a tall pine, looking wonderfully alert and wide-awake; now stretching out his scrawny neck, and now drawing it in again, his long crest all the while erect and flaming. After a little he dropped into the underbrush, out of which came at intervals a succession of raps. I would have given something to have had him under my glass just then, for I had long felt curious to see him in the act of chiseling out those big, oblong, clean-cut, sharp-angled "peck-holes" which, close to the base of the tree, make so common and notable a feature of Vermont and New Hampshire forests; but, though I did my best, I could not find him, till all at once he came up again and took to a tall pine,--the tallest in the wood,--where he pranced about for a while, striking sundry picturesque but seemingly aimless attitudes, and then made off for good. All in all, he was a wild-looking bird, if ever I saw one.

I was no sooner in St. Augustine, of course, than my eyes were open for wild flowers. Perhaps I felt a little disappointed. Certainly the land was not ablaze with color. In the grass about the old fort fhere was plenty of the yellow oxalis and the creeping white houstonia; and from a crevice in the wall, out of reach, leaned a stalk of goldenrod in full bloom. The reader may smile, if he will, but this last flower was a surprise and a stumbling-block. A vernal goldenrod! Dr. Chapman's Flora made no mention of such an anomaly. Sow thistles, too, looked strangely anachronistic. I had never thought of them as harbingers of springtime. The truth did not break upon me till a week or so afterward. Then, on the way to the beach at Daytona, where the pleasant peninsula road traverses a thick forest of short-leaved pines, every tree of which leans heavily inland at the same angle ("the leaning pines of Daytona," I always said to myself, as I passed), I came upon some white beggar's-ticks,--like daisies; and as I stopped to see what they were, I noticed the presence of ripe seeds. The plant had been in flower a long time. And then I laughed at my own dullness. It fairly deserved a medal. As if, even in Massachusetts, autumnal flowers--the groundsel, at least--did not sometimes persist in blossoming far into the winter! A day or two after this, I saw a mullein stalk still presenting arms, as it were (the mullein, always looks the soldier to me), with one bright flower. If I had found that in St. Augustine, I flatter myself I should have been less easily fooled.

There were no such last-year relics in the flat-woods, so far as I remember, but spring blossoms were beginning to make their appearance there by the middle of February, particularly along the railroad,--violets in abundance (Viola cucullata), dwarf orange-colored dandelions (Krigia), the Judas-tree, or redbud, St. Peter's-wort, blackberry, the yellow star-flower (Hypoxis juncea), and butterworts. I recall, too, in a swampy spot, a fine fresh tuft of the golden club, with its gorgeous yellow spadix,--a plant that I had never seen in bloom before, although I had once admired a Cape Cod "hollow" full of the rank tropical leaves. St. Peter's-wort, a low shrub, thrives everywhere in the pine barrens, and, without being especially attractive, its rather sparse yellow flowers--not unlike the St. John's-wort--do something to enliven the general waste. The butterworts are beauties, and true children of the spring. I picked my first ones, which by chance were of the smaller purple species (Pinguicula pumila), on my way down from the woods, on a moist bank. At that moment a white man came up the road. "What do you call this flower?" said I. "Valentine's flower," he answered at once. "Ah," said I, "because it is in bloom on St. Valentine's Day, I suppose?" "No, sir," he said. "Do you speak Spanish?" I had to shake my head. "Because I could explain it better in Spanish," he continued, as if by way of apology; but he went on in perfectly good English: "If you put one of them under your pillow, and think of some one you would like very much to see,--some one who has been dead a long time,--you will be likely to dream of him. It is a very pretty flower," he added. And so it is; hardly prettier, however, to my thinking, than the blossoms of the early creeping blackberry (Rubus trivialis). With them I fairly fell in love: true white roses, I called them, each with its central ring of dark purplish stamens; as beautiful as the cloudberry, which once, ten years before, I had found, on the summit of Mount Clinton, in New Hampshire, and refused to believe a Rubus, though Dr. Gray's key led me to that genus again and again. There is something in a name, say what you will.

Some weeks later, and a little farther south,--in the flat-woods behind New Smyrna,--I saw other flowers, but never anything of that tropical exuberance at which the average Northern tourist expects to find himself staring. Boggy places were full of blue iris (the common Iris versicolor of New England, but of ranker growth), and here and there a pool was yellow with bladderwort. I was taken also with the larger and taller (yellow) butterwort, which I used never to see as I went through the woods in the morning, but was sure to find standing in the tall dry grass along the border of the sandy road, here one and there one, on my return at noon. In similar places grew a "yellow daisy" (Leptopoda), a single big head, of a deep color, at the top of a leafless stem. It seemed to be one of the most abundant of Florida spring flowers, but I could not learn that it went by any distinctive vernacular name. Beside the railway track were blue-eyed grass and pipewort, and a dainty blue lobelia (L. Feayana), with once in a while an extremely pretty coreopsis, having a purple centre, and scarcely to be distinguished from one that is common in gardens. No doubt the advancing season brings an increasing wealth of such beauty to the flat-woods. No doubt, too, I missed the larger half of what might have been found even at the time of my visit; for I made no pretense of doing any real botanical work, having neither the time nor the equipment. The birds kept me busy, for the most part, when the country itself did not absorb my attention.

More interesting, and a thousand times more memorable, than any flower or bird was the pine barren itself. I have given no true idea of it, I am perfectly aware: open, parklike, flooded with sunshine, level as a floor. "What heartache," Lanier breaks out, poor exile, dying of consumption,--"what heartache! Ne'er a hill!" A dreary country to ride through, hour after hour; an impossible country to live in, but most pleasant for a half-day winter stroll. Notwithstanding I never went far into it, as I have already said, I had always a profound sensation of remoteness; as if I might go on forever, and be no farther away.

Yet even here I had more than one reminder that the world is a small place. I met a burly negro in a cart, and fell into talk with him about the Florida climate, an endless topic, out of which a cynical traveler may easily extract almost endless amusement. How abput the summers here? I inquired. Were they really as paradisaical (I did not use that word) as some reports would lead one to suppose? The man smiled, as if he had heard something like that before. He did not think the Florida summer a dream of delight, even on the east coast. "I'm tellin' you the truth, sah; the mosquiters an' sandflies is awful." Was he born here? I asked. No; he came from B----, Alabama. Everybody in eastern Florida came from somewhere, as well as I could make out.

"Oh, from B----," said I. "Did you know Mr. W----, of the ---- Iron Works?"

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