A Daughter of the Middle Border

BOOK I. Chapter Page

CHAPTER PAGE

I. MY FIRST WINTER IN CHICAGO 1

II. I RETURN TO THE SADDLE 13

III. IN THE FOOTSTEPS OF GENERAL GRANT 24

IV. RED MEN AND BUFFALO 38

V. THE TELEGRAPH TRAIL 53

VI. THE RETURN OF THE ARTIST 70

VII. LONDON AND EVENING DRESS 86

VIII. THE CHOICE OF THE NEW DAUGHTER 97

IX. A JUDICIAL WEDDING 122

X. THE NEW DAUGHTER AND THANKSGIVING 140

XI. MY FATHER'S INHERITANCE 153

XII. WE TOUR THE OKLAHOMA PRAIRIE 171

XIII. STANDING ROCK AND LAKE MCDONALD 184

XIV. THE EMPTY ROOM 204

BOOK II. Xv. a Summer in the High Country 219

XV. A SUMMER IN THE HIGH COUNTRY 219

XVI. THE WHITE HOUSE MUSICAL 237

XVII. SIGNS OF CHANGE 247

XVIII. THE OLD PIONEER TAKES THE BACK TRAIL 262

XIX. NEW LIFE IN THE OLD HOUSE 271

XX. MARY ISABEL'S CHIMNEY 289

XXI. THE FAIRY WORLD OF CHILDHOOD 307

XXII. THE OLD SOLDIER GAINS A GRANDDAUGHTER 326

XXIII. "CAVANAGH" AND THE "WINDS OF DESTINY" 341

XXIV. THE OLD HOMESTEAD SUFFERS DISASTER 355

XXV. DARKNESS JUST BEFORE THE DAWN 369

XXVI. SPRAY OF WILD ROSES 381

XXVII. A SOLDIER OF THE UNION MUSTERED OUT 389

AFTERWORD 400

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ILLUSTRATIONS

Isabel Clintock Garland, A Daughter of the Middle Border Frontispiece

Zulime Taft: The New Daughter Frontispiece

FACING PAGE

Miss Zulime Taft, acting as volunteer housekeeper for the colony 104

At last the time came when I was permitted to take my wife--lovely as a Madonna--out into the sunshine 287

The old soldier loved to take the children on his knees and bask in the light of the fire 304

Entirely subject to my daughter, who regarded me as a wonderful giant, I paid tribute to her in song and story 322

That night as my daughters "dressed up" as princesses, danced in the light of our restored hearth, I forgot all the disheartenment which the burning of the house had brought upon me 368

The art career which Zulime Taft abandoned after our marriage, is now being taken up by her daughter Constance 400

To Mary Isabel who as a girl of eighteen still loves to impersonate the majesty of princesses 402

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A DAUGHTER OF THE MIDDLE BORDER

BOOK I. Chapter One

CHAPTER ONE

My First Winter in Chicago

"Well, Mother," I said as I took my seat at the breakfast table the second day after our Thanksgiving dinner, "I must return to Chicago. I have some lectures to deliver and besides I must get back to my writing."

She made no objection to my announcement but her eyes lost something of their happy light. "When will you come again?" she asked after a pause.

"Almost any minute," I replied assuringly. "You must remember that I'm only a few hours away now. I can visit you often. I shall certainly come up for Christmas. If you need me at any time send me word in the afternoon and I'll be with you at breakfast."

That night at six o'clock I was in my city home, a lodging quite as humble in character as my fortunes.

In a large chamber on the north side of a house on Elm Street and only three doors from Lake Michigan, I had assembled my meager library and a few pitiful mementoes of my life in Boston. My desk stood near a narrow side window and as I mused I could look out upon the shoreless expanse of blue-green water fading mistily into the north-east sky, and, at night, when the wind was in the East the crushing thunder of the breakers along the concrete wall formed a noble accompaniment to my writing, filling me with vaguely ambitious literary plans. Exalted by the sound of this mighty orchestra I felt entirely content with the present and serenely confident of the future.

"This is where I belong," I said. "Here in the great Midland metropolis with this room for my pivot, I shall continue my study of the plains and the mountains."

I had burned no bridges between me and the Island of Manhattan, however! Realizing all too well that I must still look to the East for most of my income, I carefully retained my connections with Harper's, the Century and other periodicals. Chicago, rich and powerful as it had become, could not establish--or had not established--a paying magazine, and its publishing firms were mostly experimental and not very successful; although the Columbian Exposition which was just closing, had left upon the city's clubs and societies (and especially on its young men) an esthetic stimulation which bade fair to carry on to other and more enduring enterprises.

Nevertheless in the belief that it was to become the second great literary center of America I was resolved to throw myself into the task of hurrying it forward on the road to new and more resplendent achievement.

My first formal introduction to the literary and artistic circle in which I was destined to work and war for many years, took place through the medium of an address on Impressionism in Art which I delivered in the library of Franklin Head, a banker whose home had become one of the best-known intellectual meeting places on the North Side. This lecture, considered very radical at the time, was the direct outcome of several years of study and battle in Boston in support of the open-air school of painting, a school which was astonishing the West with its defiant play of reds and yellows, and the flame of its purple shadows. As a missionary in the interest of the New Art, I rejoiced in this opportunity to advance its inspiring heresies.

While uttering my shocking doctrines (entrenched behind a broad, book-laden desk), my eyes were attracted to the face of a slender black-bearded young man whose shining eyes and occasional smiling nod indicated a joyous agreement with the main points of my harangue. I had never seen him before, but I at once recognized in him a fellow conspirator against "The Old Hat" forces of conservatism in painting.

At the close of my lecture he drew near and putting out his hand, said, "My name is Taft--Lorado Taft. I am a sculptor, but now and again I talk on painting. Impressionism is all very new here in the West, but like yourself I am an advocate of it, I am doing my best to popularize a knowledge of it, and I hope you will call upon me at my studio some afternoon--any afternoon and discuss these isms with me."

Young Lorado Taft interested me, and I instantly accepted his invitation to call, and in this way (notwithstanding a wide difference in training and temperament), a friendship was established which has never been strained even in the fiercest of our esthetic controversies. Many others of the men and women I met that night became my co-workers in the building of the "greater Chicago," which was even then coming into being--the menace of the hyphenate American had no place in our thoughts.

In less than a month I fell into a routine as regular, as peaceful, as that in which I had moved in Boston. Each morning in my quiet sunny room I wrote, with complete absorption, from seven o'clock until noon, confidently composing poems, stories, essays, and dramas. I worked like a painter with several themes in hand passing from one to the other as I felt inclined. After luncheon I walked down town seeking exercise and recreation. It soon became my habit to spend an hour or two in Taft's studio (I fear to his serious detriment), and in this way I soon came to know most of the "Bunnies" of "the Rabbit-Warren" as Henry B. Fuller characterized this studio building--and it well deserved the name! Art was young and timid in Cook County.

Among the women of this group Bessie Potter, who did lovely statuettes of girls and children, was a notable figure. Edward Kemeys, Oliver Dennett Grover, Charles Francis Browne, and Hermon MacNeill, all young artists of high endowment, and marked personal charm became my valued associates and friends. We were all equally poor and equally confident of the future. Our doubts were few and transitory as cloud shadows, our hopes had the wings of eagles.

As Chicago possessed few clubs of any kind and had no common place of meeting for those who cultivated the fine arts, Taft's studio became, naturally, our center of esthetic exchange. Painting and sculpture were not greatly encouraged anywhere in the West, but Lorado and his brave colleagues, hardy frontiersmen of art, laughed in the face of all discouragement.

A group of us often lunched in what Taft called "the Beanery"--a noisy, sloppy little restaurant on Van Buren Street, where our lofty discussions of Grecian sculpture were punctuated by the crash of waiter-proof crockery, or smothered with the howl of slid chairs. However, no one greatly minded these barbarities. They were all a part of the game. If any of us felt particularly flush we dined, at sixty cents each, in the basement of a big department store a few doors further west; and when now and then some good "lay brother" like Melville Stone, or Franklin Head, invited us to a "royal gorge" at Kinsley's or to a princely luncheon in the tower room of the Union League, we went like minstrels to the baron's ball. None of us possessed evening suits and some of us went so far as to denounce swallowtail coats as "undemocratic." I was one of these.

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