Part 5

(I see you look incredulous. You ask and ask with reason: How came two fire-toads in an English garden? To this I answer frankly--I put them there myself.)

Even a fire-toad loves his liberty, though prison-life may have its compensations. The breakfast gong, for instance, two taps upon the glass. The sluggish fatted meal-worm, the feeling of full-fed security.

Nor had there been a lack of company.

The Natterjack had livened things--by running races with his own reflection. So had the mottled Green Toad, an alien like themselves; so, in his own quiet way, the Salamander.

Each welcomed freedom differently.

The Natterjack went straight into the pond (quite the wrong thing for him), and swam with short-legged jerky sweeps up to the water-lilies. There he met the Water-Rat, of whom more later. The Green Toad sought the nearest tuft of grass, and, scratching with his fore-feet at the roots, contrived a roomy burrow. He backed inside and sat there quite content, blinking his emerald eyes. The Salamander stayed where he was put--and smiled.

The fire-toads climbed upon a stone and practised squiggles--aposematic squiggles.

That resonant epithet comes, I think, from Oxford. It means, you dare to touch me and you'll catch it, or words to that effect. "Apo," get out, and "sema," a sign. It is quite simple, really. Yet its significance (in toads) may need explaining, and, to be master of the sense of it, you must remember that fire-toads, though dusky olive green above, are orange red beneath. A patch of orange underneath each hand, a patch of orange underneath each foot, an orange patchwork waistcoat.

Now orange is a poison-label. It means in wild-folk speech, "Be careful," and yellow means the same; and when black joins the scheme, it means, "Be very careful, here is poison."

Sometimes the colour flaunts itself--witness the salamander, or the wasp. Sometimes it is concealed, witness the fire-toad. But fire-toads have the knack of showing it. Drop one upon his back and there he stays, knowing the underpart of him is fearsome. Startle one as he sits at ease, and he will flick into a knot, crinkly, immovable, unreal, with screaming labels at each corner. To be adept at this, the fire-toad needs spare living, one meal, at most two meals a day. When corpulent he finds the bend beyond him.

But corpulence is transient in toads. The first to find a waist was Bombinator, and Bombinatrix quickly followed. They now could travel with less apprehension. They made five equal hops and stopped. Before them stretched the pond, green-carpeted, a mirror-patch of water here and there, balsam and iris on the fringe of it, and fronting them, upon his leaf, the Rat.

The Natterjack had left him, and was swimming landwards. His head bobbed with each stroke, and he was slow in coming.

"The surliest brute I ever met," he said.

"The Rat?" said Bombinator.

"The Rat," replied the Natterjack. "He grumbled at my ripples in the water--and he makes noise enough. Just listen to him."

The Water-Rat had left his leaf, and now was in the reed-stems. He held a two-inch cutting in his paws. They heard his munching plainly.

"This is a queer pond," said the Natterjack; "it's full of noises. A shrew-mouse chirped as I swam back, and half a dozen bubbles struck me. That means there's something grunting. My yellow stripe! what's that?"

It rose crescendo,

"brek-ek-ek-ek-ek-ek-ek-ek-EX!"

and finished amoroso,

"KO-ax! KO-ax! KO-ax!"

"I know it," shrieked Bombinator. His little eyes were starting from their sockets, as he sat up entranced.

"I know it," echoed Bombinatrix.

"Then you might share your knowledge," snapped the Natterjack. Jealousy had convulsed him, for he too can sing.

"A French Frog," cried Bombinator.

"A French Frog," echoed Bombinatrix, and in a rattle came the southern notes:

"brek-ek-ek-ek-ek-ek-ek-ek-EX!"

"KO-ax! KO-ax! KO-ax!"