Part 6

"The first part of the way is uphill," he said. "So steep it is that only very slowly can my horses climb it. High in the heavens is the middle, so high that even I grow dizzy when I look down upon the earth and the sea. And the last piece of the way is a precipice that rushes so steeply downward that my hands can scarce check the mad rush of my galloping horses. And all the while, the heaven is spinning round, and the stars with it. By the horns of the Bull I have to drive, past the Archer whose bow is taut and ready to slay, close to where the Scorpion stretches out its arms and the great Crab's claws grope for a prey...."

"I fear none of these things, oh my father!" cried Phaeton. "Grant that for one day only I drive thy white-maned steeds!"

Very pitifully Apollo looked at him, and for a little space he was silent.

"The little human hands," he said at length, "the little human frame!--and with them the soul of a god. The pity of it, my son. Dost not know that the boon that thou dost crave from me is Death?"

"Rather Death than Dishonour," said Phaeton, and proudly he added, "For once would I drive like the god, my father. I have no fear."

So was Apollo vanquished, and Phaeton gained his heart's desire.

From the courtyard of the Palace the four white horses were led, and they pawed the air and neighed aloud in the glory of their strength. They drew the chariot whose axle and pole and wheels were of gold, with spokes of silver, while inside were rows of diamonds and of chrysolites that gave dazzling reflection of the sun. Then Apollo anointed the face of Phaeton with a powerful essence that might keep him from being smitten by the flames, and upon his head he placed the rays of the sun. And then the stars went away, even to the Daystar that went last of all, and, at Apollo's signal, Aurora, the rosy-fingered, threw open the purple gates of the east, and Phaeton saw a path of pale rose-colour open before him.

With a cry of exultation, the boy leapt into the chariot and laid hold of the golden reins. Barely did he hear Apollo's parting words: "Hold fast the reins, and spare the whip. All thy strength will be wanted to hold the horses in. Go not too high nor too low. The middle course is safest and best. Follow, if thou canst, in the old tracks of my chariot wheels!" His glad voice of thanks for the godlike boon rang back to where Apollo stood and watched him vanishing into the dawn that still was soft in hue as the feathers on the breast of a dove.

Uphill at first the white steeds made their way, and the fire from their nostrils tinged with flame-colour the dark clouds that hung over the land and the sea. With rapture, Phaeton felt that truly he was the son of a god, and that at length he was enjoying his heritage. The day for which, through all his short life, he had longed, had come at last. He was driving the chariot whose progress even now was awaking the sleeping earth. The radiance from its wheels and from the rays he wore round his head was painting the clouds, and he laughed aloud in rapture as he saw, far down below, the sea and the rivers he had bathed in as a human boy, mirroring the green and rose and purple, and gold and silver, and fierce crimson, that he, Phaeton, was placing in the sky. The grey mist rolled from the mountain tops at his desire. The white fog rolled up from the valleys. All living things awoke; the flowers opened their petals; the grain grew golden; the fruit grew ripe. Could but Epaphos see him now! Surely he must see him, and realise that not Apollo but Phaeton was guiding the horses of his father, driving the chariot of the Sun.

Quicker and yet more quick grew the pace of the white-maned steeds. Soon they left the morning breezes behind, and very soon they knew that these were not the hands of the god, their master, that held the golden reins. Like an air-ship without its accustomed ballast, the chariot rolled unsteadily, and not only the boy's light weight but his light hold on their bridles made them grow mad with a lust for speed. The white foam flew from their mouths like the spume from the giant waves of a furious sea, and their pace was swift as that of a bolt that is cast by the arm of Zeus.

Yet Phaeton had no fear, and when they heard him shout in rapture, "Quicker still, brave ones! more swiftly still!" it made them speed onwards, madly, blindly, with the headlong rush of a storm. There was no hope for them to keep on the beaten track, and soon Phaeton had his rapture checked by the terrible realisation that they had strayed far out of the course and that his hands were not strong enough to guide them. Close to the Great Bear and the Little Bear they passed, and these were scorched with heat. The Serpent which, torpid, chilly and harmless, lies coiled round the North Pole, felt a warmth that made it grow fierce and harmful again. Downward, ever downward galloped the maddened horses, and soon Phaeton saw the sea as a shield of molten brass, and the earth so near that all things on it were visible. When they passed the Scorpion and only just missed destruction from its menacing fangs, fear entered into the boy's heart. His mother had spoken truth. He was only partly a god, and he was very, very young. In impotent horror he tugged at the reins to try to check the horses' descent, then, forgetful of Apollo's warning, he smote them angrily. But anger met anger, and the fury of the immortal steeds had scorn for the wrath of a mortal boy. With a great toss of their mighty heads they had torn the guiding reins from his grasp, and as he stood, giddily swaying from side to side, Phaeton knew that the boon he had craved from his father must in truth be death for him.

And, lo, it was a hideous death, for with eyes that were like flames that burned his brain, the boy beheld the terrible havoc that his pride had wrought. That blazing chariot of the Sun made the clouds smoke, and dried up all the rivers and water-springs. Fire burst from the mountain tops, great cities were destroyed. The beauty of the earth was ravished, woods and meadows and all green and pleasant places were laid waste. The harvests perished, the flocks and they who had herded them lay dead. Over Libya the horses took him, and the desert of Libya remains a barren wilderness to this day, while those sturdy Ethiopians who survived are black even now as a consequence of that cruel heat. The Nile changed its course in order to escape, and nymphs and nereids in terror sought for the sanctuary of some watery place that had escaped destruction. The face of the burned and blackened earth, where the bodies of thousands of human beings lay charred to ashes, cracked and sent dismay to Pluto by the lurid light that penetrated even to his throne.

All this Phaeton saw, saw in impotent agony of soul. His boyish folly and pride had been great, but the excruciating anguish that made him shed tears of blood, was indeed a punishment even too heavy for an erring god.

From the havoc around her, the Earth at last looked up, and with blackened face and blinded eyes, and in a voice that was harsh and very, very weary, she called to Zeus to look down from Olympus and behold the ruin that had been wrought by the chariot of the Sun. And Zeus, the cloud-gatherer, looked down and beheld. And at the sight of that piteous devastation his brow grew dark, and terrible was his wrath against him who had held the reins of the chariot. Calling upon Apollo and all the other gods to witness him, he seized a lightning bolt, and for a moment the deathless Zeus and all the dwellers in Olympus looked on the fiery chariot in which stood the swaying, slight, lithe figure of a young lad, blinded with horror, shaken with agony. Then, from his hand, Zeus cast the bolt, and the chariot was dashed into fragments, and Phaeton, his golden hair ablaze, fell, like a bright shooting star, from the heavens above, into the river Eridanus. The steeds returned to their master, Apollo, and in rage and grief Apollo lashed them. Angrily, too, and very rebelliously did he speak of the punishment meted to his son by the ruler of the Immortals. Yet in truth the punishment was a merciful one. Phaeton was only half a god, and no human life were fit to live after the day of dire anguish that had been his.

Bitter was the mourning of Clymene over her beautiful only son, and so ceaselessly did his three sisters, the Heliades, weep for their brother, that the gods turned them into poplar trees that grew by the bank of the river, and, when still they wept, their tears turned into precious amber as they fell. Yet another mourned for Phaeton--Phaeton "dead ere his prime." Cycnus, King of Liguria, had dearly loved the gallant boy, and again and yet again he dived deep in the river and brought forth the charred fragments of what had once been the beautiful son of a god, and gave to them honourable burial. Yet he could not rest satisfied that he had won all that remained of his friend from the river's bed, and so he continued to haunt the stream, ever diving, ever searching, until the gods grew weary of his restless sorrow and changed him into a swan.

And still we see the swan sailing mournfully along, like a white-sailed barque that is bearing the body of a king to its rest, and ever and anon plunging deep into the water as though the search for the boy who would fain have been a god were never to come to an end.

To Phaeton the Italian Naiades reared a tomb, and inscribed on the stone these words:

"Driver of Phoebus' chariot, Phaeton, Struck by Jove's thunder, rests beneath this stone, He could not rule his father's car of fire, Yet was it much, so nobly to aspire."

Ovid.

ENDYMION

To the modern popular mind perhaps none of the goddesses of Greece--not even Venus herself--has more appeal than has the huntress goddess, Diana. Those who know but little of ancient statuary can still brighten to intelligent recognition of the huntress with her quiver and her little stag when they meet with them in picture gallery or in suburban garden. That unlettered sportsman in weather-worn pink, slowly riding over the fragrant dead leaves by the muddy roadside on this chill, grey morning, may never have heard of Artemis, but he is quite ready to make intelligent reference to Diana to the handsome young sportswoman whom he finds by the covert side; and Sir Walter's Diana Vernon has helped the little-read public to realise that the original Diana was a goddess worthy of being sponsor to one of the finest heroines of fiction.

But not to the sportsman alone, but also to the youth or maid who loves the moon--they know not why--to those whom the shadows of the trees on a woodland path at night mean a grip of the heart, while "pale Dian" scuds over the dark clouds that are soaring far beyond the tree-tops and is peeping, chaste and pale, through the branches of the firs and giant pines, there is something arresting, enthralling, in the thought of the goddess Diana who now has for hunting-ground the blue firmament of heaven where the pale Pleiades

"Glitter like a swarm of fire-flies tangled in a silver braid."

Tennyson.

"She gleans her silvan trophies; down the wold She hears the sobbing of the stags that flee Mixed with the music of the hunting roll'd, But her delight is all in archery, And naught of ruth and pity wotteth she More than her hounds that follow on the flight; The goddess draws a golden bow of might And thick she rains the gentle shafts that slay. She tosses loose her locks upon the night, And through the dim wood Dian threads her way."

Andrew Lang.

Again and again in mythological history we come on stories of the goddess, sometimes under her best known name of Diana, sometimes under her older Greek name of Artemis, and now and again as Selene, the moon-goddess, the Luna of the Romans. Her twin brother was Apollo, god of the sun, and with him she shared the power of unerringly wielding a bow and of sending grave plagues and pestilences, while both were patrons of music and of poetry.

When the sun-god's golden chariot had driven down into the west, then would his sister's noiseless-footed silver steeds be driven across the sky, while the huntress shot from her bow at will silent arrows that would slay without warning a joyous young mother with her newly-born babe, or would wantonly pierce, with a lifelong pain, the heart of some luckless mortal.